‘Secret Agent’ (1936) serves up early, inconsistent spy gaming
On a Hitchcock kick (Movie review): The Master of Suspense is still learning his craft on this ambitious but muddy British picture.
Alfred Hitchcock
‘78/52’ (2017) analyzes ‘Psycho’s’ Shower Scene, and makes a case for its obsession
On a Hitchcock kick (Movie review): This should be near the top of the list of documentaries for Alfred Hitchcock fans, as it’s not watered down in the least.
‘Rich and Strange’ (1931) cracks code of talkie filmmaking
On a Hitchcock kick (Movie review): In this Joan Barry-driven romantic drama, Hitchcock realizes the principles of silent filmmaking can still apply.
Rules of ‘The Skin Game’ have changed since 1931
On a Hitchcock kick (Movie review): Still, some Hitchcock fans might enjoy this early sound effort as a time capsule of real-estate machinations.
‘Murder!’ (1930) is an overly talky early Hitchcock talkie
On a Hitchcock kick (Movie review): The eventual Master of Suspense hasn’t yet mastered talkie filmmaking at this point.
Symphonic score makes ‘Easy Virtue’ (1928) easy to watch
On a Hitchcock kick (Movie review): The story is mildly engaging as it examines a time when the act of filing for divorce could apparently make you famous.
Hitchcock makes sound transition to talkies in ‘Blackmail’ (1929)
On a Hitchcock kick (Movie review): The tech transition feels gimmicky, but three compelling characters and a modern theme keep matters suspenseful.
du Maurier’s ‘Rebecca’ (1938) a slower burn than the film
On a Hitchcock kick (Book review): Hitchcock’s faithfulness limits surprises for those tackling the novel afterward, but it has one key difference.
Cuban Missile Crisis gives ‘Topaz’ (1969) real-world heft
On a Hitchcock kick (Movie review): Its historical import gives Hitchcock’s last spy-suspenser rock-solid weight to pair with his filmmaking tricks.
Return to Britain serves up ‘Frenzy’ (1972) of great plotting
On a Hitchcock kick (Movie review): Writer Anthony Shaffer collaborates on Hitchcock’s greatest British film – more than three decades after he moved to Hollywood.