‘Saboteur’ (1942) again features a man on the run, but it’s not old yet
On a Hitchcock kick (Movie review): In one of his elite early films after coming stateside, Hitch directs a coast-to-coast suspenser.
Alfred Hitchcock
‘Saboteur’ (1942) again features a man on the run, but it’s not old yet
‘Marnie’ (1964) is pitch-black and gray and red all over
On a Hitchcock kick (Movie review): Late in his career, Hitch delivers an interesting film despite a dearth of likeable characters.
‘Number Seventeen’ (1932) shows Hitch’s skill at action
On a Hitchcock kick (Movie review): But oddly, the director’s sixth sound film is too confusing to rank as a masterful exercise in suspense.
‘The Manxman’ (1929) explores all sides of love triangle
On a Hitchcock kick (Movie review): Three emotionally honest and gripping performances make this remake of a 1916 film worth doing.
Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.
‘Young and Innocent’ (1937) a simpler, sweeter ‘39 Steps’
On a Hitchcock kick (Movie review): Hitchcock tackles a story similar to “The 39 Steps” in a would-be star-making turn for Nova Pilbeam.
‘Man in the Attic’ (1953) not quite ready to be psych-horror
On a Hitchcock kick (Movie review): Still, this Jack Palance-starrer takes enough of a different angle from Hitchcock’s “The Lodger” to be worth a peek.
‘Throw Momma from the Train’ (1987) a decent throwaway comedy
On a Hitchcock kick (Movie review): In one of the more interesting Hitchcock riffs, DeVito and Crystal play out the “Strangers on a Train” premise.
Hitchcock’s protagonist gets beaten ‘Downhill’ (1927) by life
On a Hitchcock kick (Movie review): In a prototype for “I Confess,” Hitch asks how much societal BS one person can absorb before it’s too much.
Hitch’s career respectfully launches with ‘Pleasure Garden’ (1925)
On a Hitchcock kick (Movie review): But viewers at the time didn’t get a fair chance to watch the director’s light romance until after “The Lodger” became a hit.