‘Cape Fear’ gets both soapier and more violent in miniseries
First episode impressions (TV review): The third adaptation of John D. MacDonald’s novel is poised to go into even darker corners than before.
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‘Cape Fear’ gets both soapier and more violent in miniseries
Script oddities keep ‘Hokum’ short of ‘Oddity’
Movie review: But McCarthy’s direction and the Irish setting make for impeccable horror sequences.
McKenna-Bruce shines as Bundle in ‘Agatha Christie’s Seven Dials’
TV review: Soaking up the vibe from 100 years ago is the main hook of this Christie adaptation, though the mystery eventually kicks into gear.
‘Monarch: Legacy of Monsters’ Season 2 has Monsterverse’s best characters
TV review: Kurt Russell and other skilled actors mesh well with the special effects for a surprisingly engaging expansion of the saga.
Hannah digs further into weird psychology in ‘Last Death of the Year’ (2025)
Book review: Her sixth Poirot novel – though still stepping toward whimsy — stays on the rails more than the fifth.
‘Undertone’ makes small scares into a big deal
Movie review: This Canadian film gets a lot out of a little, with new angles into supernatural horror and cinematographic cliches.
‘Scream 7’ isn’t quite a scream, but it’s solid and respectable
Movie review: Kevin Williamson proves he still knows how to write, and takes a big step forward as a director. But he settles for good rather than great.
‘Send Help’ could’ve used help to go deeper into its character clash
Movie review: Sam Raimi’s latest can’t shirk its cynical modern vibe, but Rachel McAdams and Dylan O’Brien carry us through.
Feig’s ‘Housemaid’ (2025) should’ve cleaned up its script
Movie review: The director’s latest slick thriller boasts fun twists, but the plot and characterizations ultimately flee from plausibility.
We’re all wearing Milk-Bone underwear in ‘Good Boy’ (2025)
Movie review: The 73-minute horror film gives a dog’s view of life, and perhaps monsters.