Hannah tries to get into the spirit with ‘Hercule Poirot’s Silent Night’
Book review: Unfortunately, this is the weakest of her first five Poirot books thanks to an implausible character’s unlikely actions.
Book review: Unfortunately, this is the weakest of her first five Poirot books thanks to an implausible character’s unlikely actions.
Movie review: The saga’s fifth entry proves what we already knew: Digital special effects don’t have as much of an impact as practical.
Movie review: The art of solving murders with attention to detail is not stuck in the Aughts, as proven by Monk’s first on-screen case in 14 years.
Movie review: It’s heretical to say this is the worst “Exorcist” film, but it’s pretty bad for a 50th anniversary legacy sequel.
Movie review: The DCEU’s latest entry suggests there’s a decent movie under its carapace, but regularly hits wrong notes (except in its soundtrack).
Movie review: It seems impossible, but the greatest action franchise of all time is still topping itself in its seventh film.
First episode impressions (TV reviews): “A Murder at the End of the World” goes to the head of the fall class of long-form mysteries, while “The Irrational” might intrigue procedural fans.
Movie review: Though not a misfire on the resumes of Fincher or Fassbender, the purposeful simplicity makes it less interesting than most of their work.
Movie review: In the saga’s fourth entry, writer-director Stephen Cognetti rediscovers his knack for terrifying “found footage” horror.
Movie review: The writer and director move beyond Agatha Christie adaptations with an original horror story.