Boothe powers through ‘Philip Marlowe, Private Eye’ (1983, 1986)
Sleuthing Sunday (TV review): The quality drops between the two seasons of HBO’s first original dramatic series.
Boothe powers through ‘Philip Marlowe, Private Eye’ (1983, 1986)
‘The Mad Wife’ (2025) is a maddeningly flat portrait of Fifties malaise
Book club book report: Meagan Church has little to add about the much-covered topic of midcentury women who feel trapped in a societal box.
Script oddities keep ‘Hokum’ short of ‘Oddity’
Movie review: But McCarthy’s direction and the Irish setting make for impeccable horror sequences.
‘Executioners’ (1957), ‘Cape Fear’ (1962, 1991) explore limits of modern law
Throwback Thursday (Book and movie reviews): MacDonald’s novel is surprisingly tame, the first movie keeps the censors occupied, and Scorsese’s version finally delivers the shocks.
McKenna-Bruce shines as Bundle in ‘Agatha Christie’s Seven Dials’
TV review: Soaking up the vibe from 100 years ago is the main hook of this Christie adaptation, though the mystery eventually kicks into gear.
‘Marlowe’ (1969) brings the detective into the Swinging Sixties
Sleuthing Sunday (Movie review): James Garner starts his private eye career in this adaptation of “The Little Sister.”
Sentimental ‘Starman’ (1984) shows the softer side of Carpenter
Throwback Thursday (Movie review): The director’s only theatrical film that’s not action or horror is openly sentimental and hard to dislike.
Marlowe finds love in ‘Brasher Doubloon’s’ (1947) lighter take on ‘High Window’
Sleuthing Sunday (Movie review): George Montgomery makes Chandler’s P.I. into more of an ole softie than we’re accustomed to.
Carpenter’s resume recovers in ‘The Ward’ (2010)
Frightening Friday (Movie review): The best thing about this Sixties-set mental-ward horror film is it replaces “Ghosts of Mars” as his last film.
Carpenter brings ‘Elvis’ (1979) down to Earth in TV biopic
Throwback Thursday (Movie review): The director’s only non-genre film is a fine one, filled with music but not the details you’d need for a full portrait.