‘Bright Orange for the Shroud’ (1965) dominated by dark villain
Sleuthing Sunday (Book review): In a novel criticizing the attempted “taming” of Florida, MacDonald shows how scary an untamed man can be.
‘Bright Orange for the Shroud’ (1965) dominated by dark villain
It’s a blast getting lost ‘In the Mouth of Madness’ (1994)
Frighting Friday (Movie review): John Carpenter’s gem of meta psych-horror breaches the barrier between reality and fiction.
‘Parenthood’ (1989) learns to walk so the stories can run on TV
Throwback Thursday (Movie review): Ron Howard gives us a cross-section of parental approaches in this understated dramedy.
‘Scream 7’ isn’t quite a scream, but it’s solid and respectable
Movie review: Kevin Williamson proves he still knows how to write, and takes a big step forward as a director. But he settles for good rather than great.
‘Send Help’ could’ve used help to go deeper into its character clash
Movie review: Sam Raimi’s latest can’t shirk its cynical modern vibe, but Rachel McAdams and Dylan O’Brien carry us through.
MacDonald goes all-in on McGee with double-length ‘Deadly Shade of Gold’ (1965)
Sleuthing Sunday (Book review): After the four 1964 novels introduce the unorthodox sleuth, the fifth tome is an international epic.
Carpenter, Hooper serve up a good supply of ‘Body Bags’ (1993)
Frightening Friday (Movie review): Good actors – and acting cameos from horror directors – keep these three shorts engaging.
Imagination of ‘Labyrinth’ (1986) is all over the screen, but not the page
Throwback Thursday (Movie review): An incredibly dull screenplay relegates Jim Henson’s fantasy classic to the homework category.
Gaiman explores the fantasy of love in ‘Stardust’ (1999)
Book club book report: As Tristran learns about the nature of love via experience, the author sweeps the reader along with him.
Twists come at a fast draw in ‘A Purple Place for Dying’ (1964)
Sleuthing Sunday (Book review): Travis McGee finds things aren’t so civilized out West in the third adventure of John D. MacDonald’s series.