We’re all wearing Milk-Bone underwear in ‘Good Boy’ (2025)
Movie review: The 73-minute horror film gives a dog’s view of life, and perhaps monsters.
We’re all wearing Milk-Bone underwear in ‘Good Boy’ (2025)
‘TMNT Adventures’ 32-37 and ‘Mighty Mutanimals’ 1-5 (1992) become ‘the banned issues’
Turtle Tuesday (Comic book review): Under Archie in the 1990s, Clarrain was allowed to tie foreign cultures into his mythology. Viacom isn’t so keen on that.
‘History of the World: Part I’ (1981) is a rough lesson
Mel Brooks Monday (Movie review): Even comedy legends misfire sometimes, as proven in Brooks’ centuries-spanning collection of sketches.
‘The Mummy Returns’ (2001) … but maybe it shouldn’t have
Frightening Friday (Movie review): The appeal of Fraser and Weisz is still there, but this time it’s not enough.
‘Deep Impact’ (1998): Calm and comfort amid the chaos
Throwback Thursday (Movie review): Though unusually short on action bombast for a disaster flick, this approach has some merit.
‘Tales of Leonardo: Blind Sight’ (2006) wins the battle of Turtle-focused miniseries
Turtle Tuesday (Comic book review): Jim Lawson combines striking silhouette art with a thoughtful meditation on the leader of the group.
‘Dracula: Dead and Loving It’ (1995) takes Brooks back to Transylvania
Mel Brooks Monday (Movie review): And also back to basics, as the director/co-writer sets aside industry references and simply spoofs Bram Stoker’s “Dracula.”
‘Mummy’ (1999) puts impressive wrap on 20th century Universal Monster flicks
Frightening Friday (Movie review): And it’s debatable whether anything from the new century has matched Stephen Sommers’ film.
‘Face/Off’ (1997) among the ‘who’s who’ of great body-swap movies
Throwback Thursday (Movie review): Fun, thrilling and surprisingly touching, John Woo’s actioner explores the proclivities of identity.
‘Last Ronin’ (2020-22) fills in Turtles’ dark future … at least on one timeline
Turtle Tuesday (Comic book review): Character development for the titular Turtle is a highlight, but emotionally, this Mirage-adjacent dystopia feels the same as it ever was.