‘The Twelve Chairs’ (1970) is tough to sit still for
Mel Brooks Monday (Movie review): The director’s sophomore effort, a historical comedy, fortunately represents a path mostly not taken in his career.
Movies
‘The Twelve Chairs’ (1970) is tough to sit still for
‘Poodle Springs’ (1998) keeps the plot, changes Marlowe character
Sleuthing Sunday (Movie review): Caan’s gumshoe is a workaholic approaching retirement age more so than someone navigating a work-marriage balance.
‘Muppets Take Manhattan’ (1984) takes the felt-and-foam performers to new levels
Throwback Thursday (Movie review): Jim Henson’s creations go to the big city in a fun musical that could stand to have more music.
More noise should be made about Brooks’ ‘Silent Movie’ (1976)
Mel Brooks Monday (Movie review): Brooks, Feldman and DeLuise are at the top of their physical-comedy games in this consistently funny series of gags.
Script oddities keep ‘Hokum’ short of ‘Oddity’
Movie review: But McCarthy’s direction and the Irish setting make for impeccable horror sequences.
‘Executioners’ (1957), ‘Cape Fear’ (1962, 1991) explore limits of modern law
Throwback Thursday (Book and movie reviews): MacDonald’s novel is surprisingly tame, the first movie keeps the censors occupied, and Scorsese’s version finally delivers the shocks.
‘Marlowe’ (1969) brings the detective into the Swinging Sixties
Sleuthing Sunday (Movie review): James Garner starts his private eye career in this adaptation of “The Little Sister.”
Sentimental ‘Starman’ (1984) shows the softer side of Carpenter
Throwback Thursday (Movie review): The director’s only theatrical film that’s not action or horror is openly sentimental and hard to dislike.
Marlowe finds love in ‘Brasher Doubloon’s’ (1947) lighter take on ‘High Window’
Sleuthing Sunday (Movie review): George Montgomery makes Chandler’s P.I. into more of an ole softie than we’re accustomed to.
Carpenter’s resume recovers in ‘The Ward’ (2010)
Frightening Friday (Movie review): The best thing about this Sixties-set mental-ward horror film is it replaces “Ghosts of Mars” as his last film.