DC Universe molds solid mainstream horror out of ‘Clayface’
Movie review: Though not big on surprises, this is a slick adaptation of an origin story “Batman” fans are familiar with.
Horror Movies
DC Universe molds solid mainstream horror out of ‘Clayface’
All dolled up: The 11 ‘Chucky’ films and TV seasons, ranked
Movie and TV list: It wasn’t exactly child’s play to organize these rankings, but I pray to Damballa that you enjoy them.
‘Ready or Not 2: Here I Come’: Pitch-black cartoon-violence comedies aren’t dead yet
Movie review: But I wish they were. To be fair, this is a reasonably smart entry in the genre, again driven by Samara Weaving’s brave spurned bride.
‘The Cycle’ rolls out old-school monster-movie mood
Movie review: It doesn’t reinvent the wheel, but for a Shudder original, this is a classy throwback treat.
‘28 Years Later’ wallows in the darkly beautiful ‘Bone Temple’
Movie review: Cerebral zombie fiction can be as horrific as the action-based variety as the saga turns into “Walking Dead” for the other side of the pond.
‘Backrooms’ a liminal vibe in need of a story
Movie review: It’s an amazing technical achievement for a 20-year-old director, but there’s not enough narrative to make it stick.
Outbreak film ‘Welcome to Raccoon City’ (2021) doesn’t break ‘Resident Evil’ funk
Frightening Friday (Movie review): Roberts has made good creature features, and there’s style to this remake, but nothing original or substantial to hook us.
‘Resident Evil’ (2002) is like watching someone else play a video game
Frightening Friday (Movie review): It helps that that person is Milla Jovovich, but this is nonetheless generic zombie shlock from a director who should be better.
‘Twilight Zone: The Movie’ (1983) is … four episodes of ‘Twilight Zone’
Frightening Friday (Movie review): More money doesn’t make the stories better, and these stories are pretty blunt. But a bit of Spielberg magic comes through.
‘Something Evil’ (1972) is something forgettable from Spielberg
Frightening Friday (Movie review): Though it has good actors, this attempt at “less is more” horror needed something more.