Hitchcock makes sound transition to talkies in ‘Blackmail’ (1929)
On a Hitchcock kick (Movie review): The tech transition feels gimmicky, but three compelling characters and a modern theme keep matters suspenseful.
On a Hitchcock kick (Movie review): The tech transition feels gimmicky, but three compelling characters and a modern theme keep matters suspenseful.
On a Hitchcock kick (Book review): Hitchcock’s faithfulness limits surprises for those tackling the novel afterward, but it has one key difference.
On a Hitchcock kick (Movie review): Its historical import gives Hitchcock’s last spy-suspenser rock-solid weight to pair with his filmmaking tricks.
On a Hitchcock kick (Movie review): Writer Anthony Shaffer collaborates on Hitchcock’s greatest British film – more than three decades after he moved to Hollywood.
On a Hitchcock kick (Movie review): Still, this light-dark comedy-drama is worth a watch, and it features perhaps the best scenery in a Hitch film.
On a Hitchcock kick (Movie review): In one of his elite early films after coming stateside, Hitch directs a coast-to-coast suspenser.
On a Hitchcock kick (Movie review): Late in his career, Hitch delivers an interesting film despite a dearth of likeable characters.
On a Hitchcock kick (Movie review): But oddly, the director’s sixth sound film is too confusing to rank as a masterful exercise in suspense.
On a Hitchcock kick (Movie review): Three emotionally honest and gripping performances make this remake of a 1916 film worth doing.
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.