‘Family Plot’ (1976) is a diamond to close Hitchcock’s career
On a Hitchcock kick (Movie review): Barbara Harris, Bruce Dern and William Devane are a blast to watch in this thriller about dual criminal couples.
Alfred Hitchcock
‘Family Plot’ (1976) is a diamond to close Hitchcock’s career
Mix of romance, psychology, mystery leaves a viewer ‘Spellbound’ (1945)
On a Hitchcock kick (Movie review): The chemistry of Bergman and Peck propels this early filmic exploration of the human mind.
‘Mr. & Mrs. Smith’ (1941) should break up over being unfunny
On a Hitchcock kick (Movie review): Hitchcock is the Master of Suspense, but this stultifying piece of evidence suggests he’s not the Master of Comedy.
‘The 39 Steps’ (1935) is Hitchcock’s foundational light spy thriller
On a Hitchcock kick (Movie review): Many of the director’s tricks and traits are on display in one of the best entries from his British period.
Hitchcock’s most overrated film is for ‘The Birds’ (1963)
On a Hitchcock kick (Movie review): Although perhaps impressive at the time, this natural disaster flick lacks the director’s usual suspense.
Hitchcock comes to America in style with ‘Rebecca’ (1940)
On a Hitchcock kick (Movie review): Arguably the director’s first perfect film, “Rebecca” is driven by an achingly sympathetic Joan Fontaine.
‘To Catch a Thief’ (1955) is a relaxing take on suspense
On a Hitchcock kick (Movie review): Though not his strongest collaboration with Grant nor Kelly, this is one of Hitch’s best films where romance is the point.
Hitchcock’s ‘Notorious’ (1946) illustrates art of subtle suspense
On a Hitchcock kick (Movie review): The spy drama is also fascinating as a comparison piece to the actioner “Mission: Impossible II” (2000).
‘North by Northwest’ (1959) an early action classic with humor
On a Hitchcock kick (Movie review): But don’t think about the plot for a moment or this entry in Hitch’s Mount Rushmore will crumble.
‘Disturbia’ (2007) a respectable teen take on ‘Rear Window’
On a Hitchcock kick (Movie review): The flexibility of Hitchcock’s premises is again showcased as a horror movie grows out of a slow-burn suspenser.