Hitchcock’s most overrated film is for ‘The Birds’ (1963)
On a Hitchcock kick (Movie review): Although perhaps impressive at the time, this natural disaster flick lacks the director’s usual suspense.
Alfred Hitchcock
Hitchcock’s most overrated film is for ‘The Birds’ (1963)
Hitchcock comes to America in style with ‘Rebecca’ (1940)
On a Hitchcock kick (Movie review): Arguably the director’s first perfect film, “Rebecca” is driven by an achingly sympathetic Joan Fontaine.
‘To Catch a Thief’ (1955) is a relaxing take on suspense
On a Hitchcock kick (Movie review): Though not his strongest collaboration with Grant nor Kelly, this is one of Hitch’s best films where romance is the point.
Hitchcock’s ‘Notorious’ (1946) illustrates art of subtle suspense
On a Hitchcock kick (Movie review): The spy drama is also fascinating as a comparison piece to the actioner “Mission: Impossible II” (2000).
‘North by Northwest’ (1959) an early action classic with humor
On a Hitchcock kick (Movie review): But don’t think about the plot for a moment or this entry in Hitch’s Mount Rushmore will crumble.
‘Disturbia’ (2007) a respectable teen take on ‘Rear Window’
On a Hitchcock kick (Movie review): The flexibility of Hitchcock’s premises is again showcased as a horror movie grows out of a slow-burn suspenser.
Less is more in understated ‘Shadow of a Doubt’ (1943)
On a Hitchcock kick (Movie review): The thin plot actually serves as a red carpet rolled out so Cotten and Wright can shine.
Reeve, Hannah make ‘Rear Window’ (1998) better than it should be
On a Hitchcock kick (Movie review): Proving that a quadriplegic can get a decent role, this remake of a perfect film has its own reason for existing.
‘Vertigo’ (1958) a surreal, maybe unreal, masterpiece
On a Hitchcock kick (Movie review): Although it’s arguably imperfect, and certainly has imperfect people in it, it’s perhaps the most fun Hitch film to talk about.
‘Rear Window’s’ (1954) views on privacy, spying remain relevant
On a Hitchcock kick (Movie review): This classic is timeless in the way it comments on human nature and societal standards.