In ‘One, Two, Three’ (1961), Wilder knows the ABC’s of good comedy
Wilder Wednesday (Movie review): Wilder shows “Some Like It Hot” was no fluke by delivering this exhausting but clever romp.
Wilder Wednesday (Movie review): Wilder shows “Some Like It Hot” was no fluke by delivering this exhausting but clever romp.
Wilder Wednesday (Movie review): Sure, there’s Lemmon and Matthau, but in this case I’m referring to the writing team of Wilder and Diamond.
Wilder Wednesday (Movie review): Ray Milland gives one of the most sobering (irony intended) portrayals of a drunk in Wilder’s stark masterpiece.
Wilder Wednesday (Movie review): As a portrayal of a single journalist’s power, it’s not particularly plausible, but the film is entertaining.
Wilder Wednesday (Movie review): Writer Wilder would continue with this blend of comedy, romance and geo-politics/economics when he became a director.
Wilder Wednesday (Movie review): This is another example of Wilder’s ability to balance tones, as he delivers a dark history lesson without traumatizing us.
Wilder Wednesday (Movie review): The writer-director still has a lot to say about the price of Hollywood stardom before he bows out.
Wilder Wednesday (Movie review): Wilder makes his stateside directing debut with an un-hateable Ginger Rogers comedy.
Wilder Wednesday (Movie review): At the time, it was an experiment in using non-actors; today, it’s a time capsule of peaceful, pre-Hitler Germany.
Wilder Wednesday (Movie review): You’ll learn a lot about Lindbergh’s transatlantic flight, but it’s hard to make sleep deprivation thrilling.