‘Double Indemnity’ (1944) a deliberate classic of film noir
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
Wilder Wednesday (Movie review): Lemmon’s comedic chops and Curtis’ variety of characters make this the all-timer among gender-switch films.
Five days of ‘Mad Max’ (Movie review): George Miller returns to his saga and makes the greatest legacy sequel of all time, and one of the action genre’s elite.
Wilder Wednesday (Movie review): And that’s just one of the themes in this study of a fallen celebrity without a genuine identity.
Wilder Wednesday (Movie review): The Oscars were right: Lemmon and MacLaine are delightful in this light-touch, heartfelt romantic dramedy.
Christmas movie flashback: Frank Capra’s classic must be the most widely beloved movie about the business of real-estate loans. (Plus: A look at the film’s influence on “Buffy” Season 3.)
Throwback Thursday (Movie review): Polanski blends an iconic Nicholson turn, a good political mystery and California water-utilities history in this classic.
Throwback Thursday (Movie review): Starring Cotten and Welles, this is one of the definitive film noirs, elevated by great dialog and fascinating oddities.
On a Hitchcock kick (Movie review): But don’t think about the plot for a moment or this entry in Hitch’s Mount Rushmore will crumble.
On a Hitchcock kick (Movie review): Although it’s arguably imperfect, and certainly has imperfect people in it, it’s perhaps the most fun Hitch film to talk about.