‘Agatha Christie’s Poirot’ bows out with class in Season 13 (2013)
Sleuthing Sunday (TV review): Two strong episodes are joined by three that require creative re-imaginings by the writers.
Sleuthing Sunday (TV review): Two strong episodes are joined by three that require creative re-imaginings by the writers.
Sleuthing Sunday (TV review): Justice is not so cut-and-dried for Poirot as he tackles his most famous case and three other compelling ones.
TV review: Despite a couple slow episodes, Dan Erickson’s show succeeds by being a character-driven puzzle box.
Sleuthing Sunday (TV review): Despite some bizarre scripting choices, the series’ production values have never been higher.
Sleuthing Sunday (TV review): Rewriting of Christie’s words helps one story and hurts another in this season when Ariadne Oliver makes her debut.
Sleuthing Sunday (TV review): The “dark years” – not necessarily in a bad way – start with four tragic episodes about unrequited love.
Sleuthing Sunday (TV review): The show returns from a four-year hiatus with a last go-around of the ensemble format and one of the series’ best episodes.
Sleuthing Sunday (TV review): Which isn’t to say everyone is jolly in the Lee household for “Hercule Poirot’s Christmas,” but we wouldn’t have it any other way.
Sleuthing Sunday (TV review): The writers adapt the final eight Poirot short stories, and take wild swings, before shifting focus to the novels.
Sleuthing Sunday (TV review): The show momentarily sets aside short stories to tackle “The ABC Murders,” “Death in the Clouds” and “One, Two, Buckle My Shoe.”