‘Poirot’ Season 11 (2008-09) runs into adaptation challenges
Sleuthing Sunday (TV review): Despite some bizarre scripting choices, the series’ production values have never been higher.
Sleuthing Sunday (TV review): Despite some bizarre scripting choices, the series’ production values have never been higher.
Sleuthing Sunday (TV review): Rewriting of Christie’s words helps one story and hurts another in this season when Ariadne Oliver makes her debut.
Sleuthing Sunday (TV review): The “dark years” – not necessarily in a bad way – start with four tragic episodes about unrequited love.
Sleuthing Sunday (TV review): The show returns from a four-year hiatus with a last go-around of the ensemble format and one of the series’ best episodes.
Sleuthing Sunday (TV review): Which isn’t to say everyone is jolly in the Lee household for “Hercule Poirot’s Christmas,” but we wouldn’t have it any other way.
Sleuthing Sunday (TV review): The writers adapt the final eight Poirot short stories, and take wild swings, before shifting focus to the novels.
Sleuthing Sunday (TV review): The show momentarily sets aside short stories to tackle “The ABC Murders,” “Death in the Clouds” and “One, Two, Buckle My Shoe.”
Sleuthing Sunday (TV review): David Suchet’s Poirot further branches into his own thing, and – while it’s not for die-hard purists — he finds an audience.
First episode impressions (TV review): The flash-forwards provide talking points, but Tony Shalhoub and the gorgeous sets are what make “Maisel” marvelous.
One-season wonders (TV review): It’s time to geek out over the brilliance of this breakthrough teen TV series from Paul Feig and Judd Apatow.