‘Waltzes from Vienna’ (1934) a light but important Hitchcock film
On a Hitchcock kick (Movie review): Though hurt by a lack of a vibrant print, this music-driven film has historical and even some romantic value.
Alma Reville
‘Waltzes from Vienna’ (1934) a light but important Hitchcock film
‘Stage Fright’ (1950) puts love rectangle at center stage
On a Hitchcock kick (Movie review): Though intriguing, this Hitchcock film raises the question of what degree of misinformation is fair to the audience.
‘Rich and Strange’ (1931) cracks code of talkie filmmaking
On a Hitchcock kick (Movie review): In this Joan Barry-driven romantic drama, Hitchcock realizes the principles of silent filmmaking can still apply.
Rules of ‘The Skin Game’ have changed since 1931
On a Hitchcock kick (Movie review): Still, some Hitchcock fans might enjoy this early sound effort as a time capsule of real-estate machinations.
‘Murder!’ (1930) is an overly talky early Hitchcock talkie
On a Hitchcock kick (Movie review): The eventual Master of Suspense hasn’t yet mastered talkie filmmaking at this point.
‘Number Seventeen’ (1932) shows Hitch’s skill at action
On a Hitchcock kick (Movie review): But oddly, the director’s sixth sound film is too confusing to rank as a masterful exercise in suspense.
Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.
‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’
On a Hitchcock kick (Movie review): You usually can’t go wrong with Hitchcock, Grant and Fontaine, but “Suspicion” goes a little bit wrong.
Less is more in understated ‘Shadow of a Doubt’ (1943)
On a Hitchcock kick (Movie review): The thin plot actually serves as a red carpet rolled out so Cotten and Wright can shine.