‘The Exorcist’ (1973) sets high bar for exorcism films
Exorcising the past (Movie review): William Friedkin masterfully shoots William Peter Blatty’s story and forever popularizes a subgenre of horror.
Horror Movies
‘The Exorcist’ (1973) sets high bar for exorcism films
‘Nightmare on Elm Street’ (2010) doesn’t justify existence
Reliving the ‘Nightmares’ (Movie review): Some 21st century remakes of old horror films have been good. This spin on the 1984 classic isn’t one of them.
‘Freddy vs. Jason’ (2003) mostly delivers the goods
Reliving the ‘Nightmares’ (Movie review): It took too long for this monster mash to reach screens, but it’s nice to get a slick, smart take on the franchises.
‘New Nightmare’ (1994) has great concept, poor execution
Reliving the ‘Nightmares’ (Movie review): “Wes Craven’s New Nightmare” is more interesting than it is good, but at least it paves the way for “Scream.”
‘Freddy’s Dead: The Final Nightmare’ (1991) gives backstory
Reliving the ‘Nightmares’ (Movie review): Freddy has some fun and gets a fuller backstory in the sixth (and definitely not last) “Nightmare” film.
A little Freddy goes a long way in ‘A Nightmare on Elm Street 5: The Dream Child’ (1989)
Reliving the ‘Nightmares’ (Movie review): Lisa Wilcox’s Alice is more engaging in her second film, which isn’t quite as sleep-inducing as part four.
‘A Nightmare on Elm Street 4: The Dream Master’ (1988) is sleep-inducing
Reliving the ‘Nightmares’ (Movie review): After three films that at least had a purpose, “The Dream Master” can’t muster up much originality.
‘Relic’ (1997) an intense but simple adaptation
Preston & Child flashback (Movie review): It’s not as good as P&C’s breakthrough novel, but Peter Hyams’ film has charms as a B-monster movie.
‘A Nightmare on Elm Street 3: Dream Warriors’ (1987) is a team effort
Reliving the ‘Nightmares’ (Movie review): This fan-favorite entry predates the superhero team-ups that would later be popular.
‘A Nightmare on Elm Street 2: Freddy’s Revenge’ (1985) goes beneath surface
Reliving the ‘Nightmares’ (Movie review): A strong turn by Mark Patton and a coded gay subtext give the second “Freddy” film talking points.