‘Dead Zone’ (1983) a lively translation, thanks to Walken
Stephen King flashback (Movie review): Cronenberg’s film inevitably compresses King’s book, but Christopher Walken memorably brings Johnny Smith to life.
Stephen King
‘Dead Zone’ (1983) a lively translation, thanks to Walken
Life is at best bittersweet in King’s ‘Dead Zone’ (1979)
Stephen King flashback (Book review): Johnny Smith’s tragic lost love hangs like a cloud over the novel even as it probes big moral questions.
New ‘Firestarter’ digs compelling tale from ashes of ’84 dud
Movie review: The third time is the charm among adaptations of King’s novel about a superpowered kid that heretofore resisted a good version.
‘Firestarter: Rekindled’ (2002) an interesting experiment
Stephen King flashback (TV review): Not as bad as one would assume, “Firestarter: Rekindled” follows Charlie McGee and her troubles into her 20s.
‘Firestarter’ (1984) has book’s plot but none of its heat
Stephen King flashback (Movie review): The book is getting a remake soon, and it’s due for one. The ’84 adaptation is faithful but lacks a genuine spark.
‘Firestarter’ (1980) burns its characters into our minds
Stephen King flashback (Book review): “Firestarter” burns brighter than the superpower genre norm by making us care deeply for Charlie McGee and her dad.
‘A Return to Salem’s Lot’ (1987) a sequel that sucks
Stephen King flashback (Movie review): The popular miniseries gets a film sequel. But it has little in common with the original beyond its name.
‘Salem’s Lot’ miniseries (1979) sucks life out of King’s book
Stephen King flashback (TV review): King adaptations have a proud history in the miniseries format, but the first one doesn’t stand the test of time.
King poetically chronicles dying small town in ‘’Salem’s Lot’ (1975)
Stephen King flashback (Book review): King’s definitive vampire novel is about more than vampires as it chronicles a crumbling Maine township in the 1970s.
‘Carrie’ (2013) isn’t weird and different enough
Stephen King flashback (Movie review): “Carrie” for a new generation feels slightly more universal, but otherwise it’s a lot like the original.