‘I Confess’ (1953) derives suspense from one man’s silence
On a Hitchcock kick (Movie review): Normally a flawless character is boring, but this tale of an upstanding priest is an exception to that rule.
‘I Confess’ (1953) derives suspense from one man’s silence
Rowling warms up a cold case in fifth Strike novel, ‘Troubled Blood’ (2020)
Sleuthing Sunday (Book review): Rowling’s prose is so good that she’s able to keep a mystery fascinating at quadruple the page count of a typical genre piece.
‘Sabotage’ (1936) puts Hitchockian traits in a tidy package
On a Hitchcock kick (Movie review): With its vibrant setting amid the London streets, this is an energetic and entertaining Thirties suspenser.
‘A Good Girl’s Guide to Murder’ (2019) introduces young readers to the genre
Book club book report: Despite its basic nature, Holly Jackson’s debut novel is a page-turning whodunit for adults, too.
‘Crazy/Beautiful’ (2001) adds earthy appeal to the ‘troubled teen’ subgenre
Throwback Thursday (Movie review): This is one of Kirsten Dunst’s many standout turns from the era, and Jay Hernandez and Bruce Davison are also crazy-good.
Hitchcock improves on his own ‘The Man Who Knew Too Much’ (1934, 1956)
On a Hitchcock kick (Movie reviews): Hitchcock knew a lot more about moviemaking by the time he took a second crack at this story of an average family thrown into international intrigue.
‘Family Plot’ (1976) is a diamond to close Hitchcock’s career
On a Hitchcock kick (Movie review): Barbara Harris, Bruce Dern and William Devane are a blast to watch in this thriller about dual criminal couples.
According to me, ‘According to Greta’ (2009) is Duff’s best film
Throwback Thursday (Movie review): A stellar supporting cast helps make this into a heartfelt movie about a teen with mental health issues.
‘Monarch: Legacy of Monsters’ expands Godzilla lore
TV review: If you want more than just monsters from your “Godzilla” stories, “Monarch” adds a substantial dose of humanity. Plus monsters.
Mix of romance, psychology, mystery leaves a viewer ‘Spellbound’ (1945)
On a Hitchcock kick (Movie review): The chemistry of Bergman and Peck propels this early filmic exploration of the human mind.