‘The Tenant’ (1976) the weakest, but also wildest, of Polanski’s Apartment Trilogy
Frightening Friday (Movie review): The director takes the lead role as he follows in the footsteps of “Repulsion” and “Rosemary’s Baby.”
Gérard Brach
‘The Tenant’ (1976) the weakest, but also wildest, of Polanski’s Apartment Trilogy
‘Repulsion’ (1965) provides searing peek into a troubled autistic woman
Frightening Friday (Movie review): Polanski’s breakthrough English-language film retains strikingly modern insights into a neurodivergent brain.