Hitchcock gets transported to space in ‘Lifepod’ (1993)
On a Hitchcock kick (Movie review): This TV movie makes good use of its strong cast with sharp themes, future tech and a whodunit.
Mystery
Hitchcock gets transported to space in ‘Lifepod’ (1993)
‘Agatha Christie’s Poirot’ Season 6 (1994-95) adds Christmas cheer
Sleuthing Sunday (TV review): Which isn’t to say everyone is jolly in the Lee household for “Hercule Poirot’s Christmas,” but we wouldn’t have it any other way.
Dave’s ‘The Night We Lost Him’ blends romance, mystery
Book club book report: The author draws us in with questions, and smoothly builds believable characters amid the quest for answers.
‘The Rental’ (2020) plays up creepiness of being a stranger in a strange home
Frightening Friday (Movie review): Worth a rental? Well, it’s definitely worth a streaming viewing, as it gets in on the ground floor of Airbnb horror.
‘Alfred Hitchcock Presents’ Season 1 (1955-56) brings the macabre into living rooms
On a Hitchcock kick (TV review): As a holiday treat, we look at “Back for Christmas” and Hitchcock’s three other directorial efforts from “AHP’s” first season.
Detective back by popular demand in ‘Return of Sherlock Holmes’ (1905)
Sleuthing Sunday (Book review): It’s debatable how much Doyle’s heart was in it, but his mind certainly is in this third short-story collection.
‘It’s a Wonderful Knife’ (2023) lacks any spirit at all
Frightening Friday (Movie review): Add this Christmas horror movie to your annual list … of films to completely skip.
Doyle tires of his detective in ‘Memoirs of Sherlock Holmes’ (1894)
Sleuthing Sunday (Book review): Tiring of his creation, Doyle “kills off” Holmes in “The Final Problem.” (Don’t worry. He’ll be back.)
‘Three Days of the Condor’ (1975) provides holiday-season conspiracy chill
Throwback Thursday (Movie review): Other than an infamously bad romance subplot, this is another top-shelf Seventies paranoia thriller.
Old Hollywood meets film noir in ‘Paradine Case’ (1947)
On a Hitchcock kick (Movie review): The director closes out his pre-color period with a moody courtroom drama that’s not as strong as it could’ve been as a mystery.