‘Poirot’ works out math of love triangles in Season 9 (2003-04)
Sleuthing Sunday (TV review): The “dark years” – not necessarily in a bad way – start with four tragic episodes about unrequited love.
Sleuthing Sunday (TV review): The “dark years” – not necessarily in a bad way – start with four tragic episodes about unrequited love.
Throwback Thursday (Movie review): Sometimes a screenplay’s interesting ideas don’t coalesce into a compelling film. Such is the case in this “Vertigo” riff.
2024 television: Network shows held on to some viewers thanks to diversity of main characters and premises, but streaming and premium channels continued to dominate.
Sleuthing Sunday (TV review): The show returns from a four-year hiatus with a last go-around of the ensemble format and one of the series’ best episodes.
Movie review: This is not phoned-in horror trash; it’s trying to be something cuckoo-bananas different. But it failed to make this viewer care.
Movie review: Three masterful performances and a razor-sharp screenplay from the “Boogeyman” guys (!) make this one of the year’s best horror films.
Movie review: Although Eastwood’s film, perhaps accidentally, makes us want to throw the justice system in the garbage, a stellar Nicholas Hoult drives the suspense.
Sleuthing Sunday (Book review): Doyle improves on “Study in Scarlet’s” blend of mystery and flashback in his final Sherlock Holmes novel.
On a Hitchcock kick (Movie review): This TV movie makes good use of its strong cast with sharp themes, future tech and a whodunit.
Sleuthing Sunday (TV review): Which isn’t to say everyone is jolly in the Lee household for “Hercule Poirot’s Christmas,” but we wouldn’t have it any other way.