‘Rear Window’s’ (1954) views on privacy, spying remain relevant
On a Hitchcock kick (Movie review): This classic is timeless in the way it comments on human nature and societal standards.
Mystery
‘Rear Window’s’ (1954) views on privacy, spying remain relevant
John’s top 10 movies of 2023
2023 movies: Action movies had grand finales, superhero fatigue drove off audiences, and horror and comedy became niche genres in a wild year in film.
John’s top 10 TV shows of 2023
2023 television: A couple of old-school network shows break into the streaming-dominated list of my favorite series of the year.
‘Dead End’ (2003) is darkly comedic Christmas horror
Frightening Friday (Movie review): A strong cast portrays the universal holiday family sniping in a mostly effective mix of comedy and weird horror.
Roth’s ‘Thanksgiving’ is an undercooked turkey
Movie review: But if the creativity of how the killer carves up his victims is the draw, Roth’s film does serve up some tasty morsels.
Hitchcock smartly threads theatrical ‘Rope’ (1948)
On a Hitchcock kick (Movie review): An updated version could wring more twists and tension, but Hitchcock’s is a fascinating experiment.
Hannah tries to get into the spirit with ‘Hercule Poirot’s Silent Night’
Book review: Unfortunately, this is the weakest of her first five Poirot books thanks to an implausible character’s unlikely actions.
‘Marple: Twelve New Mysteries’ (2022) honors, expands character
Sleuthing Sunday (Book review): A dozen modern authors write Marple with an ease that will make you cozy next to the fireplace; plus, we get mild surprises.
‘Thin Man’ movie (1934) emphasizes stars, but I can’t blame it
Sleuthing Sunday (Movie review): Dashiell Hammett’s mystery is still there, but Powell and Loy steal the show. And that’s OK.
‘Mr. Monk’s Last Case: A Monk Movie’ is not only for obsessives
Movie review: The art of solving murders with attention to detail is not stuck in the Aughts, as proven by Monk’s first on-screen case in 14 years.