‘Rifkin’s Festival’ (2020) sees romance as ageless
Woody Wednesday (Movie review): Allen’s writing and directing skills are still sharp in his seventh decade of filmmaking.
Woody Wednesday (Movie review): Allen’s writing and directing skills are still sharp in his seventh decade of filmmaking.
Woody Wednesday (Movie review): While still recognizably an Allen film, this one focuses on the positive side of love enough to make you want to sing and dance.
Sleuthing Sunday (Book review): In her third Mary Westmacott novel, Christie holds a reader’s attention the whole way by exploring inner thoughts.
Sleuthing Sunday (Book review): We take a temporary break from sleuthing to examine Agatha Christie’s excellent first Mary Westmacott novel.
Woody Wednesday (Movie review): It’s sometimes more absurd and sometimes more accessible than “Stardust Memories.” In the end, it’s a great companion piece.
Woody Wednesday (Movie review): This film overcomes its hard-to-grasp structure to become great for a basic reason: It’s darn funny.
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Woody Wednesday (Movie review): Penn and Morton are decent, but where are the laughs in this faux-historical piece that’s structured like a comedy?
Movie review: Olivia Wilde’s latest film thinks it’s better than it is. On the other hand, Florence Pugh does make every movie she’s in better.
Woody Wednesday (Movie review): It includes a lot of Allen staples, but Mira Sorvino’s unusual Oscar-winning performance makes this film stand out.