‘Giants’ Bread’ (1930) a tragedy of love, creative drive
Sleuthing Sunday (Book review): We take a temporary break from sleuthing to examine Agatha Christie’s excellent first Mary Westmacott novel.
Romance
‘Giants’ Bread’ (1930) a tragedy of love, creative drive
Allen skewers star-making culture in ‘Celebrity’ (1998)
Woody Wednesday (Movie review): It’s sometimes more absurd and sometimes more accessible than “Stardust Memories.” In the end, it’s a great companion piece.
‘Deconstructing Harry’ (1997) puts typical Allen situations through blender
Woody Wednesday (Movie review): This film overcomes its hard-to-grasp structure to become great for a basic reason: It’s darn funny.
‘Where the Crawdads Sing’ manipulative but undeniably pretty
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Penn starrer ‘Sweet and Lowdown’ (1999) turns out sour
Woody Wednesday (Movie review): Penn and Morton are decent, but where are the laughs in this faux-historical piece that’s structured like a comedy?
Pugh elevates oddly regressive ‘Don’t Worry Darling’
Movie review: Olivia Wilde’s latest film thinks it’s better than it is. On the other hand, Florence Pugh does make every movie she’s in better.
Sorvino magnetically ridiculous in ‘Mighty Aphrodite’ (1995)
Woody Wednesday (Movie review): It includes a lot of Allen staples, but Mira Sorvino’s unusual Oscar-winning performance makes this film stand out.
‘Top Gun: Maverick’ cruises along with spectacle, nostalgia
Movie review: Come for the spectacular visuals and audio, stay for the … ahem … spectacular visuals and audio in this long-awaited sequel.
‘Pearl’ a darkly moving, stylish origin story of ‘X’ villain
Movie review: At the same time they made “X,” Ti West and Mia Goth also made its prequel, and – while it’s a different type of film – it’s just as good.
‘Bullets Over Broadway’ (1994) well written, not well directed
Woody Wednesday (Movie review): Sometimes Allen gets casual about his direction, and it’s particularly unfortunate here because good gags get lost.