Fantastic ‘F is for Fugitive’ (1989) is far from a failure
Sleuthing Sunday (Book review): Grafton takes Kinsey up the coast to deliver her best novel since “C is for Corpse.”
Author: John Hansen
Fantastic ‘F is for Fugitive’ (1989) is far from a failure
‘Hawkeye’ (2021) unleashes Christmas spirit and awesome arrows
Superhero Saturday (TV review): Though Clint Barton never got a solo movie, this six-episode series is an even better deal, as it allows Jeremy Renner and Hailee Steinfeld to act.
This time, the ‘Final Girl’ (2015) is fully prepared
Frightening Friday (Movie review): Abigail Breslin won’t be confused with Sylvester Stallone, but Shields constructs a sturdily stylized world.
‘The Package’ (1989) theorizes a thrilling end to the Cold War
Throwback Thursday (Movie review): The complex plot might drive off some, but Hackman and Jones make this a stealth alternate Christmas offering.
‘Daredevil’ gets ‘Born Again,’ and he’s not overly Disney-fied
TV review: The lessened fight-choreography budget is a shame, but a lot of what we liked about the Netflix series gets resurrected.
A century of suspense: All 52 Alfred Hitchcock films, ranked
Movie list: One hundred years after his first silent film, we rank the cinematic catalog of the Master of Suspense.
YA-style mystery ‘Sun Down Motel’ (2020) floats off like a ghost
Book club book report: Simone St. James doesn’t do enough to make two narrators and time periods distinct in this supernatural-tinged yarn.
‘Final Girls’ (2015) makes fun of old tropes, unfortunately shepherds new one
Frightening Friday (Movie review): This slasher satire ostensibly goes to 1986, but it can’t escape the 21st century’s flattened effect.
‘Blues Brothers’ (1980) is an absurdly bombastic crowd-pleaser
Throwback Thursday (Movie review): Landis, Aykroyd and Belushi aim to be the comedy kings, and they hit their target with a rocket launcher rather than an arrow.
‘Hallmarked Man’: For the love of mystery, and for the love of love
Book review: The case is almost too complex. But thanks to an omniscient narrator, the romance is deceptively simple in Rowling’s eighth Strike novel.