‘Final Girls’ (2015) makes fun of old tropes, unfortunately shepherds new one
Frightening Friday (Movie review): This slasher satire ostensibly goes to 1986, but it can’t escape the 21st century’s flattened effect.
Author: John Hansen
‘Final Girls’ (2015) makes fun of old tropes, unfortunately shepherds new one
‘Blues Brothers’ (1980) is an absurdly bombastic crowd-pleaser
Throwback Thursday (Movie review): Landis, Aykroyd and Belushi aim to be the comedy kings, and they hit their target with a rocket launcher rather than an arrow.
‘Hallmarked Man’: For the love of mystery, and for the love of love
Book review: The case is almost too complex. But thanks to an omniscient narrator, the romance is deceptively simple in Rowling’s eighth Strike novel.
‘The Fly’ (1986) is a classic fairy tale … in reverse and inside out
Frightening Friday (Movie review): Just because Cronenberg’s film is many people’s introduction to body horror doesn’t mean he eases you into the subgenre.
‘Poseidon Adventure’ (1972): When playing follow-the-leader, pick wisely
Throwback Thursday (Movie review): The Gene Hackman-starring, Irwin Allen-produced film influenced the next wave of ocean-based disaster movies.
‘Fantastic Four: First Steps’ is a fantastic bore
Movie review: The retro-futurism production design is on point, and so is the acting, but the story is overblown and flat.
Gunn’s ‘Peacemaker’ Season 2 is no joke, despite a lighter tone from the DCEU days
TV review: Never losing sight of his makeshift family, Gunn also uses multiverse portals to indicate how the DCU is both a continuation and a fresh start.
‘E is for Evidence’ (1988) that a more evocative tale could’ve been told
Sleuthing Sunday (Book review): The fifth Kinsey Millhone novel is a plate of Christmas cookies when it could’ve been a satisfying feast.
‘Conjuring’ saga applies wallpaper as fast as it peels in ‘Last Rites’
Movie review: The saga’s emphasis on the investigators rather than the documented case is starting to become a bit much in the fourth entry.
I’m not scared of clowns. Can I still enjoy ‘It: Chapter Two’ (2019)?
Stephen King flashback (Movie review): Although the sequel has strong enough acting and direction to not be labeled a Loser, something is missing.