‘Suspiria’ (1977): Style, sounds, Suzy … and a slice of story
Frightening Friday (Movie review): Despite telling a simple tale, Dario Argento presents a whole ’nother – but equally effective – way to craft a horror film.
Author: John Hansen
‘Suspiria’ (1977): Style, sounds, Suzy … and a slice of story
Disney creates cure for insomnia with ‘Tron: Legacy’ (2010)
Throwback Thursday (Movie review): This shallow legacy sequel makes a compelling case for being the Mouse House’s most cynical product.
‘Double Indemnity’ (1944) a deliberate classic of film noir
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
‘Spellbound by Beauty’ (2008) goes deeper into Hitchcock’s dark side
On a Hitchcock kick (Book review): If you want to keep your Hitchcock journey fun, avoid this cold (but important) exploration of the director’s troubled nature.
‘Hunter and Other Stories’ (2013) cleans out Hammett’s files
Sleuthing Sunday (Book review): Unpublished and under-published tales are rounded up from the author’s archives, but this is for serious fans only.
‘Deep Red’ (1975) not deeply profound, but it gets Argento noticed
Frightening Friday (Movie review): One of the most famous “Psycho”-influenced films smooths off the edges of Argento’s earlier work.
Moronic hack-tioner ‘Swordfish’ (2001) should be thrown back
Throwback Thursday (Movie review): It’s tempting to pity the all-star cast, but really we should feel bad for ourselves for watching this.
By a ‘Coup de Chance’ (2023), Woody’s still got it
Woody Wednesday (Movie review): While this isn’t Allen’s best film mixing infidelity and murder, the themes are remixed in an engaging way.
Wood’s ‘Man Who Knew Too Much’ (2015) a pleasant analysis
On a Hitchcock kick (Book review): This monograph is not a core bio, but it’s a nice garnish for people who know the Hitchcock basics.
‘Dain Curse’ (1978), Hammett’s most emotional novel, gets miniseries treatment
Sleuthing Sunday (TV review): Although he doesn’t resemble Hammett’s description, James Coburn makes an appealing screen version of the Continental Op.