‘The Menu’ (2022) serves up weirdness, skimps on horror
Movie review: Director Mark Mylod’s film has the presentation of great psychological horror, but it’ll leave you hungry for plausibility and scares.
Author: John Hansen
‘The Menu’ (2022) serves up weirdness, skimps on horror
Smith proves he can do brutally great horror in ‘Red State’ (2011)
Frightening Friday (Movie review): Known more for comedies like “Clerks,” Kevin Smith demonstrates his versatility with this shocking horror-actioner.
Lightning strikes twice for Apatow with ‘Undeclared’ (2001-02)
One-season wonders (TV review): Judd Apatow’s second acclaimed show was canceled as quickly as “Freaks and Geeks,” and it was just as great, in its own way.
‘A Daughter’s a Daughter’ (1952) presages ‘Gilmore Girls’ ’ generational clashes
Sleuthing Sunday (Book review): In a spiritual sequel to “Unfinished Portrait,” Christie sorts through mother-daughter relationships.
‘Thor: Love and Thunder’ (2022) spectacular, insubstantial
Superhero Saturday (Movie review): However, it’s unlikely this fourth “Thor” installment will stick with audiences the way more serious superhero films do.
Novelty wears off fast in jerky sequel ‘V/H/S/2’ (2013)
Frightening Friday (Movie review): This series of packaged-together short horror films takes a step backward in quality with its second entry.
Gibson meticulously imagines a future in ‘The Peripheral’ (2014)
Throwback Thursday (Book review): I like the TV show more, but it owes its foundation to William Gibson’s novel, a sort of rulebook for the series.
‘The Rose and the Yew Tree’ (1948) explores minds, politics
Sleuthing Sunday (Book review): Agatha Christie’s fourth Mary Westmacott novel is a smart, gripping exploration of love and local political gamesmanship.
‘Doctor Strange’ enters ‘Multiverse of Madness’ (2022), and it looks familiar
Superhero Saturday (Movie review): The MCU’s Multiverse Saga is starting to play like lazy afternoon couch viewing more so than must-see superhero storytelling.
‘I Know What You Did Last Summer’ (1973) didn’t start as a slasher
Frightening Friday (Book review): Fifty years ago, Lois Duncan wrote a gripping mystery novel for teens about guilt, responsibility and moving on.