‘There is a Tide …’ (1948) soaked with good characters, case
Sleuthing Sunday (Book review): Poirot comes in at the halfway mark, and his insights into people might be more important than his nose for clues.
Agatha Christie
‘There is a Tide …’ (1948) soaked with good characters, case
Branagh delivers lavish adaptations of ‘Murder on the Orient Express’ (2017), ‘Death on the Nile’
Sleuthing Sunday (Movie reviews): Kenneth Branagh makes Poirot into a broad cinematic character. It’s not for purists, but the approach grew on me.
Spy-murder mashup ‘The Clocks’ (1963) is worth your time
Sleuthing Sunday (Book review): Christie’s playfulness is on display in “The Clocks,” where she gets amusingly cynical about the spy state.
Christie, Marple still sharp in ‘The Mirror Crack’d’ (1962)
Sleuthing Sunday (Book review): The author and her detective lament the new Development near St. Mary Mead, but crime-solving principles remain unchanged.
‘Ordeal by Innocence’ (1958) badgers the bystanders
Sleuthing Sunday (Book review): Agatha Christie shows that when everyone is a suspect, the guilty person catches a break, and the innocent suffer.
Party vibe makes ‘Dead Man’s Folly’ (1956) a fun read
Sleuthing Sunday (Book review): As Ariadne Oliver and Poirot team up at a Fete gone awry, the mystery is compelling but the solution is hoary.
‘4:50 from Paddington’ (1957) a padded Christie whodunit
Sleuthing Sunday (Book review): The reliable whodunit elements are in place, but this Christmas-set tale is unusually cold – not always in a good way.
‘Double Sin’ (1961) puts Poirot in a Christmas mood
Sleuthing Sunday (Book review): “Double Sin and Other Stories” collects four Poirots, two Marples and a couple supernatural yarns.
‘Crooked House’ (2017) captures novel’s chilliness
Sleuthing Sunday (Movie review): An excellent cast and luscious art design are the reasons to check out this adaptation of one of Christie’s best books.
‘Witness for the Prosecution’ (1957) an elite court drama
Sleuthing Sunday (Movie review): Billy Wilder’s adaptation of Christie’s play/story shows droll comedy and high drama can smoothly blend.