Feig’s ‘Housemaid’ (2025) should’ve cleaned up its script
Movie review: The director’s latest slick thriller boasts fun twists, but the plot and characterizations ultimately flee from plausibility.
Movie review: The director’s latest slick thriller boasts fun twists, but the plot and characterizations ultimately flee from plausibility.
Frightening Friday (Movie review): The director crafts a gritty urban take on “The Thing’s” claustrophobia with a vibrant cast of researchers.
Throwback Thursday (Movie review): Wolfgang’s Petersen’s film teaches young children that it’s OK to be a dreamer.
Mel Brooks Monday (Movie review): The writer-director-star struggles without an existing movie to provide a foundation for jokes.
Stephen King flashback (Movie review): The horror legends join forces for the only time, in an imperfect but memorable way.
Throwback Thursday (Movie review): Lumet’s brilliant boredom-killer both satirizes and educates about the inner workings of a TV network.
Frightening Friday (Movie review): Carpenter efficiently packages Seventies paranoia as a prime-time vehicle for Lauren Hutton.
Throwback Thursday (Movie review): In riffing on “Close Encounters of the Third Kind,” the late Jim Henson’s studio crafts a deeper character journey.
Movie review: The 73-minute horror film gives a dog’s view of life, and perhaps monsters.
Mel Brooks Monday (Movie review): Even comedy legends misfire sometimes, as proven in Brooks’ centuries-spanning collection of sketches.