‘Fortune Cookie’ (1966) crumbles under its length, predictability
Wilder Wednesday (Movie review): This supposed satire of dishonest lawyering misfires by running the ball right up the middle.
Movies
‘Suspiria’ (1977): Style, sounds, Suzy … and a slice of story
Frightening Friday (Movie review): Despite telling a simple tale, Dario Argento presents a whole ’nother – but equally effective – way to craft a horror film.
Disney creates cure for insomnia with ‘Tron: Legacy’ (2010)
Throwback Thursday (Movie review): This shallow legacy sequel makes a compelling case for being the Mouse House’s most cynical product.
‘Double Indemnity’ (1944) a deliberate classic of film noir
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
‘Spellbound by Beauty’ (2008) goes deeper into Hitchcock’s dark side
On a Hitchcock kick (Book review): If you want to keep your Hitchcock journey fun, avoid this cold (but important) exploration of the director’s troubled nature.
‘Deep Red’ (1975) not deeply profound, but it gets Argento noticed
Frightening Friday (Movie review): One of the most famous “Psycho”-influenced films smooths off the edges of Argento’s earlier work.
Moronic hack-tioner ‘Swordfish’ (2001) should be thrown back
Throwback Thursday (Movie review): It’s tempting to pity the all-star cast, but really we should feel bad for ourselves for watching this.
By a ‘Coup de Chance’ (2023), Woody’s still got it
Woody Wednesday (Movie review): While this isn’t Allen’s best film mixing infidelity and murder, the themes are remixed in an engaging way.
Wood’s ‘Man Who Knew Too Much’ (2015) a pleasant analysis
On a Hitchcock kick (Book review): This monograph is not a core bio, but it’s a nice garnish for people who know the Hitchcock basics.
‘Four Flies on Grey Velvet’ (1971) completes ‘animal trilogy’ with buzz
Frightening Friday (Movie review): Argento’s hand becomes steadier on the giallo tiller in his third directorial effort.