‘Barbie’ doesn’t fully exploit culture-clash humor
Movie review: Greta Gerwig’s gorgeously set-designed Mattel-produced film nonetheless goes surprisingly deep into making fun of itself.
Movies
‘Barbie’ doesn’t fully exploit culture-clash humor
‘Oppenheimer’ is an epic, but not quite the bomb
Movie review: Nolan’s film is so intent to avoid the obvious that it goes deep into the shadows of political maneuverings.
Stupnitsky’s ‘No Hard Feelings’ is easy to like
Movie review: The director of “Good Boys” continues to make sweet-natured raunch-coms that straddle old and new sensibilities.
‘Dead End’ (2003) is darkly comedic Christmas horror
Frightening Friday (Movie review): A strong cast portrays the universal holiday family sniping in a mostly effective mix of comedy and weird horror.
Roth’s ‘Thanksgiving’ is an undercooked turkey
Movie review: But if the creativity of how the killer carves up his victims is the draw, Roth’s film does serve up some tasty morsels.
‘Love Actually’ (2003) hangs wide array of emotions on the Christmas tree
Throwback Thursday (Movie review): Twenty years later, this incredibly cast film still boasts powerful moments illustrating every type of love.
Hitchcock smartly threads theatrical ‘Rope’ (1948)
On a Hitchcock kick (Movie review): An updated version could wring more twists and tension, but Hitchcock’s is a fascinating experiment.
Unfunny horror-comedy ‘Jack Frost’ (1997) shouldn’t be thawed
Frightening Friday (Movie review): If a lump of coal isn’t bad enough for someone who’s been naughty, give them a copy of this movie.
‘Strangers on a Train’ (1951) a first-class suspenser
On a Hitchcock kick (Movie review): Guy’s situation of having a bothersome person sit next to him is relatable but extreme in this classic thriller.
‘Evil Dead Rise’ is … another ‘Evil Dead’ movie
Movie review: The saga’s fifth entry proves what we already knew: Digital special effects don’t have as much of an impact as practical.