‘Where the Crawdads Sing’ manipulative but undeniably pretty
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Sleuthing Sunday (Book review): Charles Osborne’s second novelization of an Agatha Christie play showcases her mystery-puzzle plotting mastery.
Movie review: Great actors team up with a sharp screenplay by Mark Chappell that understands the humorous side of Agatha Christie’s whodunits.
Frightening Friday (Movie review): The producers wait too long to make the third installment of the “Ring” trilogy, but it’s better than you might guess.
Movie review: By not settling on a tone, this mix of comedy, horror and legitimate teen drama falls flat in every category.
Movie review: The film isn’t as clever as its marketing, but a sense of mood and a strong lead turn by Sosie Bacon keep it watchable.
Woody Wednesday (Movie review): Penn and Morton are decent, but where are the laughs in this faux-historical piece that’s structured like a comedy?
Movie review: Olivia Wilde’s latest film thinks it’s better than it is. On the other hand, Florence Pugh does make every movie she’s in better.
Sleuthing Sunday (Book review): Late in her career, Agatha Christie reaches a dubious achievement: a novel that’s worse than “The Big Four.”
First episode impressions (TV review): Scott B. Smith returns to prominence with “The Peripheral,” the latest visionary sci-fi show to hit streaming.