‘Stage Fright’ (1950) puts love rectangle at center stage
On a Hitchcock kick (Movie review): Though intriguing, this Hitchcock film raises the question of what degree of misinformation is fair to the audience.
Film Noir
‘Stage Fright’ (1950) puts love rectangle at center stage
‘Chinatown’ (1974) links two eras of film noir
Throwback Thursday (Movie review): Polanski blends an iconic Nicholson turn, a good political mystery and California water-utilities history in this classic.
‘Where the Sidewalk Ends’ (1950) reverses the Hitchcock formula
Throwback Thursday (Movie review): A guilty man is on the run in this engaging but flawed follow-up from the director and stars behind “Laura.”
Smart small-cast mystery makes ‘Laura’ (1944) a classic noir
Throwback Thursday (Movie review): Otto Preminger’s film pivots around the femme fatale and keeps us guessing about whodunit despite a small cast.
‘Blow Out’ (1981) blows it at the end, but is still great
Throwback Thursday (Movie review): A likeable Travolta and Allen guide this conspiracy noir through its beats, but De Palma doesn’t stick the landing.
‘All the President’s Men’ (1976) grandly caps Pakula’s ‘paranoia trilogy’
The ‘paranoia trilogy’ (Movie review): But it’s not paranoia if it really happened, and that’s the case in one of the all-time best non-fictional accounts of newspaper reporting.
‘The Parallax View’ (1974) a timelessly chilling conspiracy noir
The ‘paranoia trilogy’ (Movie review): Though very Seventies in its style, Alan J. Pakula’s gem resonates as a peek into shadowy string-pulling.
‘Klute’ (1971) a grimy classic of Seventies noir
The ‘paranoia trilogy’ (Movie review): Rightly known for launching a new decade of noir style, Alan J. Pakula’s masterpiece is even more impressive as a romance.
‘The Third Man’ (1949) doesn’t even need a third man to be great
Throwback Thursday (Movie review): Starring Cotten and Welles, this is one of the definitive film noirs, elevated by great dialog and fascinating oddities.
‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’
On a Hitchcock kick (Movie review): You usually can’t go wrong with Hitchcock, Grant and Fontaine, but “Suspicion” goes a little bit wrong.