‘The Parallax View’ (1974) a timelessly chilling conspiracy noir
The ‘paranoia trilogy’ (Movie review): Though very Seventies in its style, Alan J. Pakula’s gem resonates as a peek into shadowy string-pulling.
Film Noir
‘The Parallax View’ (1974) a timelessly chilling conspiracy noir
‘Klute’ (1971) a grimy classic of Seventies noir
The ‘paranoia trilogy’ (Movie review): Rightly known for launching a new decade of noir style, Alan J. Pakula’s masterpiece is even more impressive as a romance.
‘The Third Man’ (1949) doesn’t even need a third man to be great
Throwback Thursday (Movie review): Starring Cotten and Welles, this is one of the definitive film noirs, elevated by great dialog and fascinating oddities.
‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’
On a Hitchcock kick (Movie review): You usually can’t go wrong with Hitchcock, Grant and Fontaine, but “Suspicion” goes a little bit wrong.
‘The Wrong Man’ (1956) stands as one of Hitchcock’s most important films
On a Hitchcock kick (Movie review): The director turns his talents to a true story of a wrongfully charged man and appropriately sobers up his filmmaking style.
Mix of romance, psychology, mystery leaves a viewer ‘Spellbound’ (1945)
On a Hitchcock kick (Movie review): The chemistry of Bergman and Peck propels this early filmic exploration of the human mind.
Hitchcock’s ‘Notorious’ (1946) illustrates art of subtle suspense
On a Hitchcock kick (Movie review): The spy drama is also fascinating as a comparison piece to the actioner “Mission: Impossible II” (2000).
Less is more in understated ‘Shadow of a Doubt’ (1943)
On a Hitchcock kick (Movie review): The thin plot actually serves as a red carpet rolled out so Cotten and Wright can shine.
Hollywood takes three shots at ‘Maltese Falcon’ (1931-41)
Sleuthing Sunday (Movie reviews): The 1941 Bogart-starrer is the most famous and best of these adaptations.
‘Strangers on a Train’ (1951) a first-class suspenser
On a Hitchcock kick (Movie review): Guy’s situation of having a bothersome person sit next to him is relatable but extreme in this classic thriller.