Boothe powers through ‘Philip Marlowe, Private Eye’ (1983, 1986)
Sleuthing Sunday (TV review): The quality drops between the two seasons of HBO’s first original dramatic series.
Sleuthing Sunday (TV review): The quality drops between the two seasons of HBO’s first original dramatic series.
Sleuthing Sunday (Movie review): George Montgomery makes Chandler’s P.I. into more of an ole softie than we’re accustomed to.
Sleuthing Sunday (Movie review): Unfortunately, the mystery of Chandler’s strong fourth novel gets lost in a quest for a new style.
Sleuthing Sunday (Movie review): The screenplay reassembles elements of “Farewell, My Lovely” in an intriguing way, and Dick Powell is a pleasing Marlowe.
Sleuthing Sunday (Movie reviews): The first is a stylish, purist classic. The second makes odd choices and never has a chance of competing with Bogart’s version.
Sleuthing Sunday (Movie review): Don’t look to Altman’s adaptation for faithfulness toward the 1953 novel. But it’s a prime illustration of the flexibility of Chandler’s sleuth.
Sleuthing Sunday (Book and movie reviews): The plot’s relative simplicity makes it a good choice, and the casting is solid. But MacDonald’s introspection can’t be mimicked.
Throwback Thursday (Movie review): Hackman meets neo-noir in this grimy gem about a missing teenager that came out in the wake of “Chinatown.”
Wilder Wednesday (Movie review): The writer-director still has a lot to say about the price of Hollywood stardom before he bows out.
Sleuthing Sunday (Movie review): Though it won’t cause narcolepsy, Hawks’ film is too hampered by censorial limitations to totally capture Chandler’s vibe.