‘Suspiria’ (1977): Style, sounds, Suzy … and a slice of story
Frightening Friday (Movie review): Despite telling a simple tale, Dario Argento presents a whole ’nother – but equally effective – way to craft a horror film.
Foreign Films
‘Deep Red’ (1975) not deeply profound, but it gets Argento noticed
Frightening Friday (Movie review): One of the most famous “Psycho”-influenced films smooths off the edges of Argento’s earlier work.
By a ‘Coup de Chance’ (2023), Woody’s still got it
Woody Wednesday (Movie review): While this isn’t Allen’s best film mixing infidelity and murder, the themes are remixed in an engaging way.
‘Four Flies on Grey Velvet’ (1971) completes ‘animal trilogy’ with buzz
Frightening Friday (Movie review): Argento’s hand becomes steadier on the giallo tiller in his third directorial effort.
‘Cat o’ Nine Tails’ (1971) a few whiskers short of Argento’s debut
Frightening Friday (Movie review): Still, this mystery-slasher is worth watching for strong set pieces and nods to Hitchcock.
Enter giallo gallery in ‘Bird with the Crystal Plumage’ (1970)
Frightening Friday (Movie review): Rome architecture and cinematography elevate this tale of an American trying to solve Italian serial murders.
‘My Bloody Valentine’ (1981) joins lineup of holiday slashers
Frightening Friday (Movie review): Though you might not desire a long-term relationship with this Canadian movie, it’s deserving of one date.
Short film ‘The Black Hole’ (2008) unlocks an opening in an unlikely place
Throwback Thursday (Movie review): This sharp British short explores the drudgery of – and escape from – office work in less than 3 minutes.
Heavy-handed cut-and-shunt celluloid: ‘Curse of the Stone Hand’ (1965)
Frightening Friday (Movie review): Jerry Warren’s oddity intercuts and dubs two 1940s Chilean films into an entertaining package.
‘Furiosa: A Mad Max Saga’ (2024) a bildungsroman of vengeance
Five days of ‘Mad Max’ (Movie review): George Miller’s epic prequel aims to put the woman warrior at the same status as Max, and mostly succeeds.