‘Free Guy’ (2021) mulls ideas as it romps through game
Movie review: This Ryan Reynolds comedy-actioner is mostly for fun, but it does think about the value and rights of artificial intelligences.
Oscars
‘Free Guy’ (2021) mulls ideas as it romps through game
Spider-Verse tastily envelops ‘Spider-Man: No Way Home’
Movie review: The partnership between Sony and Marvel becomes a beautiful thing as the MCU embraces the multiverse with smarts and humor.
Craig’s Bond bows out with uneven ‘No Time to Die’
Movie review: “No Time to Die” is a little better than 2015’s “Spectre,” but the best of the Craig Bonds remain in the past.
Grass is always greener in ‘Husbands and Wives’ (1992)
Woody Wednesday (Movie review): Allen blends relationship insights with creative storytelling tricks in the most effective way since “Annie Hall.”
‘Witness for the Prosecution’ (1957) an elite court drama
Sleuthing Sunday (Movie review): Billy Wilder’s adaptation of Christie’s play/story shows droll comedy and high drama can smoothly blend.
‘Crimes and Misdemeanors’ (1989) mulls murder, heartbreak
Woody Wednesday (Movie review): This dual-plotted masterpiece tackles Allen’s favorite issues: unrequited love and the moral cost of murder.
MCU machine rolls into China for ‘Shang-Chi’
Movie review: Asian fans have their huge Marvel movie with “Shang-Chi and the Legend of the Ten Rings.” It’s a lot like other Marvel movies.
Slow-burn ‘Dune’ illustrates imperial machinations
Movie review: Villeneuve’s film is homework more than entertainment. But it’s interesting to see how “Star Wars” was influenced by “Dune.”
‘Alice’ (1990) luxuriates in the lifestyle it criticizes
Woody Wednesday (Movie review): Mia Farrow is outshone by the supporting cast, but “Alice” is wonderful to look at under Carlo di Palma’s lens.
‘The Sixth Sense’ (1999) invigorates meditative horror
A Week of Night (Movie review): “The Sixth Sense” put M. Night Shyamalan on the map, but the film’s quality goes beyond the twist.