du Maurier’s ‘Rebecca’ (1938) a slower burn than the film
On a Hitchcock kick (Book review): Hitchcock’s faithfulness limits surprises for those tackling the novel afterward, but it has one key difference.
Romance
du Maurier’s ‘Rebecca’ (1938) a slower burn than the film
‘Klute’ (1971) a grimy classic of Seventies noir
The ‘paranoia trilogy’ (Movie review): Rightly known for launching a new decade of noir style, Alan J. Pakula’s masterpiece is even more impressive as a romance.
Ricci is devastatingly raw and true in ‘Prozac Nation’ (2001)
Throwback Thursday (Movie review): I thought Ricci and Biggs were great in “Anything Else,” but this unheralded gem is something else.
Green beautifully tackles mental illness in ‘Turtles All the Way Down’ (2017, 2024)
Book and movie reviews: The author manages to make modern troubled teens not annoying. Just don’t come here for the mystery.
‘A.I. Rising’ (2018) a surprisingly splendid sexbot story
Throwback Thursday (Movie review): Critics have compared it to “Ex Machina,” but a more interesting comparison might be made to “Cast Away.”
‘A Princess of Mars’ (1912) crumples under weight of what came later
Throwback Thursday (Book review): But readers interested in the chain of imaginative writings that led to “Star Wars” will want to check out Burroughs’ classic.
‘Marnie’ (1964) is pitch-black and gray and red all over
On a Hitchcock kick (Movie review): Late in his career, Hitch delivers an interesting film despite a dearth of likeable characters.
‘The Fall Guy’ freefalls from its high ambitions
Movie review: Big epic action films are fine now and then, but David Leitch’s remake of a 1980s TV series is the pill that leads to an overdose.
‘The Opposite of Sex’ (1998) mulls contrasts, mostly with success
Throwback Thursday (Movie review): Don Roos’ indie film launches Christina Ricci into adult roles and shows Lisa Kudrow doesn’t need “Friends.”
‘The Manxman’ (1929) explores all sides of love triangle
On a Hitchcock kick (Movie review): Three emotionally honest and gripping performances make this remake of a 1916 film worth doing.