‘True Romance’ (1993) a violent fairy-tale love story
Throwback Thursday (Movie review): Even coming out in the wake of “Glengarry Glen Ross,” the depth of acting talent in this Tarantino-Scott riff is incredible.
Romance
‘True Romance’ (1993) a violent fairy-tale love story
Marlowe actually makes friends in ‘The Long Goodbye’ (1953)
Sleuthing Sunday (Book review): However, that doesn’t turn his life or his job into a breeze in Raymond Chandler’s meatiest novel.
Wilder serves and learns from Lubitsch in ‘Ninotchka’ (1939)
Wilder Wednesday (Movie review): Writer Wilder would continue with this blend of comedy, romance and geo-politics/economics when he became a director.
Stop the presses: ‘The Paper’ (1994) is a rip-roaring journalism movie
Throwback Thursday (Movie review): Though more comedic than others of its ilk, Ron Howard’s film gets the biz right.
‘Rebecca’ (1997) is more faithful to du Maurier’s gothic tragedy
On a Hitchcock kick (TV review): It’s a tad less masterful than the master’s version, but this longer, faithful adaptation isn’t lost in the smoke.
Better late than ‘Nevers’: The back half of Whedon’s show (2023) is actually good
Throwback Thursday (TV review): Joss Whedon’s last TV show actually goes out in respectable style. The hardest part is tracking it down.
So much of the afterglow: ‘Fedora’ (1978) returns to ‘Sunset Boulevard’
Wilder Wednesday (Movie review): The writer-director still has a lot to say about the price of Hollywood stardom before he bows out.
‘Woman in the Dark’ (1933) gets murkier in 1934 film adaptation
Sleuthing Sunday (Book and movie reviews): Hammett’s experiment with blending crime and romance is worth reading, but the film doesn’t rise above a curiosity.
Big talent comes to America with a small entry: ‘The Major and the Minor’ (1942)
Wilder Wednesday (Movie review): Wilder makes his stateside directing debut with an un-hateable Ginger Rogers comedy.
‘People on Sunday’ (1930) explores human nature, cinema’s potential
Wilder Wednesday (Movie review): At the time, it was an experiment in using non-actors; today, it’s a time capsule of peaceful, pre-Hitler Germany.