‘Tenebrae’ (1982) a brainy exploration of human violence
Frightening Friday (Movie review): And don’t worry, it’s bloody too, as Argento keeps up with trends in the slasher genre he helped popularize.
Author: John Hansen
‘Tenebrae’ (1982) a brainy exploration of human violence
Neumeier sharply returns for ‘Starship Troopers 3: Marauder’ (2008)
Throwback Thursday (Movie review): OK, so it’s full of bugs (not in a good way), but if you can forgive the cheapness, it has the original’s spirit.
‘Breakfast of Champions’ (1973) is easily digestible American satire
Book club book report: To the benefit of the novel’s shelf life, but not to the benefit of humanity, Vonnegut’s classic remains relevant.
Stand up these dates: ‘Prom Night III: The Last Kiss’ (1990) and ‘Prom Night IV: Deliver Us from Evil’ (1991)
‘Prom Night’ saga (Movie reviews): The third time is not the charm for this Canadian slasher franchise. Nor is the fourth, although it’s a tad better.
‘Hello Mary Lou: Prom Night II’ (1987) a hidden slasher gem
‘Prom Night’ saga (Movie review): No Jamie Lee? No problem, as this sequel has everything else, and somehow it’s a wild ride more so than a dumpster fire.
Curtis and burgeoning tropes go to ‘Prom Night’ (1980)
‘Prom Night’ saga (Movie review): Another vintage horror franchise launches by roping an annual American event into the slasher fold.
It’s easy to stay alert for Chandler’s ‘The Big Sleep’ (1939)
Sleuthing Sunday (Book review): The author smoothly takes the baton from Dashiell Hammett in the first of his seven Marlowe novels.
‘Inferno’ (1980) less fiery than ‘Suspiria,’ but still good
Frightening Friday (Movie review): Argento fans will be glad they continued their Three Mothers Trilogy journey into this sequel.
‘April Fool’s Day’ (1986) gets into the weeds of holiday horror
Horror movie flashback (Review): After Halloween, Christmas and Valentine’s Day, the slasher genre is really pushing it, but this film is mildly fun.
Be very suspicious of the 1988 remake of ‘Suspicion’
On a Hitchcock kick (Movie review): It’s Curtin’s for us if we try to get any pleasure from an adaptation that doesn’t feature Grant and Fontaine.