‘Daredevil’ gets ‘Born Again,’ and he’s not overly Disney-fied
TV review: The lessened fight-choreography budget is a shame, but a lot of what we liked about the Netflix series gets resurrected.
Author: John Hansen
‘Daredevil’ gets ‘Born Again,’ and he’s not overly Disney-fied
A century of suspense: All 52 Alfred Hitchcock films, ranked
Movie list: One hundred years after his first silent film, we rank the cinematic catalog of the Master of Suspense.
YA-style mystery ‘Sun Down Motel’ (2020) floats off like a ghost
Book club book report: Simone St. James doesn’t do enough to make two narrators and time periods distinct in this supernatural-tinged yarn.
‘Final Girls’ (2015) makes fun of old tropes, unfortunately shepherds new one
Frightening Friday (Movie review): This slasher satire ostensibly goes to 1986, but it can’t escape the 21st century’s flattened effect.
‘Blues Brothers’ (1980) is an absurdly bombastic crowd-pleaser
Throwback Thursday (Movie review): Landis, Aykroyd and Belushi aim to be the comedy kings, and they hit their target with a rocket launcher rather than an arrow.
‘Hallmarked Man’: For the love of mystery, and for the love of love
Book review: The case is almost too complex. But thanks to an omniscient narrator, the romance is deceptively simple in Rowling’s eighth Strike novel.
‘The Fly’ (1986) is a classic fairy tale … in reverse and inside out
Frightening Friday (Movie review): Just because Cronenberg’s film is many people’s introduction to body horror doesn’t mean he eases you into the subgenre.
‘Poseidon Adventure’ (1972): When playing follow-the-leader, pick wisely
Throwback Thursday (Movie review): The Gene Hackman-starring, Irwin Allen-produced film influenced the next wave of ocean-based disaster movies.
‘Fantastic Four: First Steps’ is a fantastic bore
Movie review: The retro-futurism production design is on point, and so is the acting, but the story is overblown and flat.
Gunn’s ‘Peacemaker’ Season 2 is no joke, despite a lighter tone from the DCEU days
TV review: Never losing sight of his makeshift family, Gunn also uses multiverse portals to indicate how the DCU is both a continuation and a fresh start.