Is Jordan Peele’s latest a masterpiece? ‘Nope’
Movie review: The early mysterious air soon goes out of the stylish but pretentious “Nope,” as Peele again fails to recapture the brilliance of “Get Out.”
Movie review: The early mysterious air soon goes out of the stylish but pretentious “Nope,” as Peele again fails to recapture the brilliance of “Get Out.”
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.
Sleuthing Sunday (Book review): Agatha Christie returns to the spousal sleuths after a 27-year hiatus, and she hasn’t forgotten how to write them.
Movie review: The “H40” sequel trilogy takes a surprising turn, but the pulpy vibe and delicious Carpenter score make for a holiday celebration.
Frightening Friday (Movie review): Eli Roth’s name gets on the fear-flick map with this gore-centered body horror. Also: thoughts on the remake.
Six weeks of ‘The Omen’ (Movie review): Damien is dead, but oddly, the franchise isn’t. It continues with this repetitive and unnecessary TV movie.
Movie review: In this year of telephone-based psychological thrillers from Stephen King’s family, this Netflix film beats “The Black Phone.”
First episode impressions (TV review): “Spotlight” was a thank-you letter to probing journalism; now “Alaska Daily” shows why it’s still important.
Sleuthing Sunday (Book review): Widely regarded as one of Christie’s best novels, it deserves more credit as a progenitor of slasher horror.
‘Kolchak’ flashback (Comic book review): Moonstone effectively resurrects “Eve of Terror,” but the new story “Lambs to the Slaughter” isn’t as strong.