Argento still has the giallo knack in ‘Dark Glasses’ (2022)
Frightening Friday (Movie review): It’s a nostalgic throwback more so than something fresh, but we are treated to an unusually robust friendship story.
Dario Argento
Argento still has the giallo knack in ‘Dark Glasses’ (2022)
Argento finally wraps trilogy with ‘Mother of Tears’ (2007)
Frightening Friday (Movie review): This capper to the “Three Mothers” trilogy unfortunately gives way to Aughts trends, but it’s better than no movie at all.
Argento brings his B-game to ‘The Card Player’ (2003)
Frightening Friday (Movie review): This underachieving giallo at least taps into trends of the time, including poker and early internet-based crime.
‘Sleepless’ (2001) more like a pleasant horror dream than a nightmare
Frightening Friday (Movie review): If you’re into giallo, Argento’s first film of the new century is a nice trip down memory lane.
Argento’s ‘Phantom of the Opera’ (1998) a kitschy experiment
Frightening Friday (Movie review): While the film isn’t completely awful, it furthers the case that Argento is better with original material.
‘Stendhal Syndrome’ (1996) is stupid but rather engaging
Frightening Friday (Movie review): Asia Argento plays the least plausible cop ever, but her father Dario’s directorial style remains a high point.
Argento comes stateside for hidden gem ‘Trauma’ (1993)
Frightening Friday (Movie review): Rydell and Asia Argento are excellent in this serial-killer mystery that blends giallo with noir.
‘Two Evil Eyes’ (1990) is ‘two’ much of a bad thing
Frightening Friday (Movie review): You’d think a collaboration between Romero and Argento would be a safe bet. But in this case, safe is boring.
Argento makes horror operatic in ‘Opera’ (1987)
Frightening Friday (Movie review): Though not totally eye-opening for fans of Argento’s work, this is one of the director’s most focused productions.
‘Phenomena’ (1985) won’t bug Argento acolytes
Frightening Friday (Movie review): But even with Jennifer Connelly as an insect whisperer, the film doesn’t diverge from his formula.