‘Barbarian’ a wild ride with scares big and small
Movie review: Zach Cregger gets on the map with a candidate for 2022’s best horror film – as he comments on the less savory side of living in ’22.
Movie review: Zach Cregger gets on the map with a candidate for 2022’s best horror film – as he comments on the less savory side of living in ’22.
Movie review: The Clive Barker saga (which began with the 1987 classic) gets a serious and slick fresh take after a slew of cheap sequels.
Movie review: Strong performances by Justin Long and Kate Bosworth drive Neil LaBute’s quick horror riff that feels like a stage play.
Movie review: The early mysterious air soon goes out of the stylish but pretentious “Nope,” as Peele again fails to recapture the brilliance of “Get Out.”
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.
Movie review: The “H40” sequel trilogy takes a surprising turn, but the pulpy vibe and delicious Carpenter score make for a holiday celebration.
Frightening Friday (Movie review): Eli Roth’s name gets on the fear-flick map with this gore-centered body horror. Also: thoughts on the remake.
Six weeks of ‘The Omen’ (Movie review): Damien is dead, but oddly, the franchise isn’t. It continues with this repetitive and unnecessary TV movie.
Movie review: In this year of telephone-based psychological thrillers from Stephen King’s family, this Netflix film beats “The Black Phone.”
Movie review: The story is simple yet watchable, with a decent twist. But this remake doesn’t achieve the tragic poignancy it aims for.