All 9 ‘A Nightmare on Elm Street’ films, ranked
Movie rankings: From the 1984 classic to the unnecessary remake, we rank all nine films starring the court jester of slashers: Freddy Krueger.
Horror Movies
‘Crystal Lake Memories’ (2013) indeed gives ‘Complete History of Friday the 13th’
Frightening Friday (Movie review): This 7-hour documentary digs into these mediocre-to-bad movies, and the serious approach makes it all the better.
Paquin’s ‘Darkness’ (2002) an artistic mood piece
Frightening Friday (Movie review): Fans of later gems such as “Hereditary” might want to peek into “Darkness,” a wrongly overlooked mood piece.
Wan’s ‘Malignant’ delivers weird – and creepy – science
Movie review: “A new vision of horror” is slightly overstating it, but “Malignant” uses its bizarre premise and wild action to stand out from the horror pack.
Fall movie preview 2021: Release dates, plus 7 films in the spotlight
Fall movie preview: The fall offerings return to normalcy with theatrical releases. Many will be immediately available for home viewing, too.
SMG sticks with supernatural in ‘Return’ (2006), ‘Possession’ (2009)
Frightening Friday (Movie reviews): After “The Grudge,” Sarah Michelle Gellar sticks with supernatural horror in these two films from her period between “Buffy” and “Ringer.”
I can’t be-‘Grudge’ (2004) this J-horror remake’s success
Frightening Friday (Movie review): Takashi Shimizu remakes his own “Ju-On,” adding the lonely Americans-in-Tokyo aspect. But the creepy mood again dominates.
‘Candyman’ saga spoils with ‘Day of the Dead’ (1999)
Summoning ‘Candyman’ (Movie review): Again, Candyman torments someone into joining him in the afterlife. It was better the previous two times.
‘Candyman: Farewell to the Flesh’ (1995) covers old ground
Summoning ‘Candyman’ (Movie review): The second “Candyman” is a remake as much as a sequel. But it maintains a decent level of technical quality.
‘Candyman’ (1992) makes beautiful art out of hopelessness
Summoning ‘Candyman’ (Movie review): Like “Hellraiser,” this Clive Barker-produced urban-horror project is driven by its artistry. Here, the score by Philip Glass stands out.