‘His House’ shows horror of refugee immigrant experience
Movie review: Weekes’ calling-card film uses horror tropes to slyly tell a surprising, insightful story about the refugee experience.
Movie review: Weekes’ calling-card film uses horror tropes to slyly tell a surprising, insightful story about the refugee experience.
Frightening Friday (Movie review): Marcus Nispel’s remake is slick and competent, but I’m not sure if it was artistically necessary.
Frightening Friday (Movie review): “Don’t Look Now” is one of those movies where I didn’t entirely understand the meaning – but in a good way.
Exorcising the past (Movie review): Paul Schrader’s film — the second-released “Exorcist” prequel — is so tame that Pazuzu comes off as a good guy.
Exorcising the past (Movie review): Renny Harlin comes in midway to direct a slick, creepy, continuity-challenged, beat-hitting, respectable prequel.
Exorcising the past (Movie review): Based on Blatty’s own book sequel, “Legion,” this third “Exorcist” film dives into Christian-themed horror.
PKD flashback (Movie review): We return to the world of “Second Variety” adaptation “Screamers” with a lower budget and the same story.
Movie review: “The Turning” is the lesser of 2020’s Henry James adaptations, as it makes “The Turn of the Screw” too confusing.
Exorcising the past (Movie review): It’s nice to have Linda Blair back as Regan, but this sequel is weird, dull and nonsensical.
Exorcising the past (Movie review): William Friedkin masterfully shoots William Peter Blatty’s story and forever popularizes a subgenre of horror.