‘The Fly’ (1986) review
“The Fly” – Starring Jeff Goldblum (who kind of looks like a fly) and Geena Davis (who kind of looks like Goldblum), director David Cronenberg’s “The Fly” reverses the traditional fairy tale structure and tells […]
“The Fly” – Starring Jeff Goldblum (who kind of looks like a fly) and Geena Davis (who kind of looks like Goldblum), director David Cronenberg’s “The Fly” reverses the traditional fairy tale structure and tells […]
“The Langoliers” – Directed by Tom Holland, “The Langoliers” is among the elite TV movies, Stephen King movies and time-travel movies. It works much like a mystery: The plot twists and turns like a roller […]
John’s “The Relic” flashback review, Sept. 27, 2020 “The Relic” – The book by Douglas Preston and Lincoln Child is the scariest novel ever written, so there was really no way director Peter Hyams could […]
“Groundhog Day” (1993) is of course the touchstone of the “repeating the same day” genre, so when another film comes along with that premise, it’s intriguing, but it also gives me pause: Will it merely […]
“The Cloverfield Paradox” (which recently debuted on Netflix), the third installment of the loosely connected Cloververse saga, takes topical physics such as the recently discovered God Particle and the popular multiverse theory and smashes them […]
There were a lot of great films in 2017. So many, in fact, that this year I have decided to do a top 20 list instead of my usual top 10. It means more writing, […]
The 2017 “It” remake – now available from Redbox — is the most Stephen Kingy Stephen King adaptation to hit the screen in a long time, as the interactions between the heroic nerds and villainous […]
Movie review: Lin Shaye’s Elise again takes center stage in this fourth “Insidious” entry.
Here are 10 TV shows and movies I have high hopes for in the new year: “The X-Files” (TV show, 8 p.m. Eastern Wednesdays, starting Wednesday, Fox) – OK, so I’m not as big on […]
For me, 2017 goes in the books as the year when we don’t have to comment on special effects anymore. In major motion pictures, they are almost universally good now, and if they aren’t, it’s […]