‘Tenebrae’ (1982) a brainy exploration of human violence
Frightening Friday (Movie review): And don’t worry, it’s bloody too, as Argento keeps up with trends in the slasher genre he helped popularize.
Horror Movies
‘Tenebrae’ (1982) a brainy exploration of human violence
Stand up these dates: ‘Prom Night III: The Last Kiss’ (1990) and ‘Prom Night IV: Deliver Us from Evil’ (1991)
‘Prom Night’ saga (Movie reviews): The third time is not the charm for this Canadian slasher franchise. Nor is the fourth, although it’s a tad better.
‘Hello Mary Lou: Prom Night II’ (1987) a hidden slasher gem
‘Prom Night’ saga (Movie review): No Jamie Lee? No problem, as this sequel has everything else, and somehow it’s a wild ride more so than a dumpster fire.
Curtis and burgeoning tropes go to ‘Prom Night’ (1980)
‘Prom Night’ saga (Movie review): Another vintage horror franchise launches by roping an annual American event into the slasher fold.
‘Inferno’ (1980) less fiery than ‘Suspiria,’ but still good
Frightening Friday (Movie review): Argento fans will be glad they continued their Three Mothers Trilogy journey into this sequel.
‘April Fool’s Day’ (1986) gets into the weeds of holiday horror
Horror movie flashback (Review): After Halloween, Christmas and Valentine’s Day, the slasher genre is really pushing it, but this film is mildly fun.
Guadagnino overindulgently explores world of ‘Suspiria’ (2018)
Frightening Friday (Movie review): Although it expands the story, themes and runtime, this remake is far lesser than Argento’s original.
‘Suspiria’ (1977): Style, sounds, Suzy … and a slice of story
Frightening Friday (Movie review): Despite telling a simple tale, Dario Argento presents a whole ’nother – but equally effective – way to craft a horror film.
‘Deep Red’ (1975) not deeply profound, but it gets Argento noticed
Frightening Friday (Movie review): One of the most famous “Psycho”-influenced films smooths off the edges of Argento’s earlier work.
‘Four Flies on Grey Velvet’ (1971) completes ‘animal trilogy’ with buzz
Frightening Friday (Movie review): Argento’s hand becomes steadier on the giallo tiller in his third directorial effort.