‘Heretic’ a revelation of theological-discussion horror
Movie review: Three masterful performances and a razor-sharp screenplay from the “Boogeyman” guys (!) make this one of the year’s best horror films.
Movies
‘Heretic’ a revelation of theological-discussion horror
Beyond a reasonable doubt, ‘Juror #2’ isn’t half bad
Movie review: Although Eastwood’s film, perhaps accidentally, makes us want to throw the justice system in the garbage, a stellar Nicholas Hoult drives the suspense.
‘The Apartment’ (1960) is worth renting, maybe even owning
Wilder Wednesday (Movie review): The Oscars were right: Lemmon and MacLaine are delightful in this light-touch, heartfelt romantic dramedy.
‘It’s a Wonderful Life’ (1946), but is it a wonderful movie?
Christmas movie flashback: Frank Capra’s classic must be the most widely beloved movie about the business of real-estate loans. (Plus: A look at the film’s influence on “Buffy” Season 3.)
‘Christmas Bloody Christmas’ (2022) is chilly in the wrong way
Frightening Friday (Movie review): The final act has “Terminator” and “Rambo” flavors, but the film lacks scares, tension or even gore.
‘Edward Scissorhands’ (1990) a too-thin slice of heartfelt weirdness
Throwback Thursday (Movie review): For many Burton fans, this Christmastime film is a cut above, but I find it slices too thin.
Hitchcock gets transported to space in ‘Lifepod’ (1993)
On a Hitchcock kick (Movie review): This TV movie makes good use of its strong cast with sharp themes, future tech and a whodunit.
‘The Rental’ (2020) plays up creepiness of being a stranger in a strange home
Frightening Friday (Movie review): Worth a rental? Well, it’s definitely worth a streaming viewing, as it gets in on the ground floor of Airbnb horror.
Smartly structured ‘Challengers’ breaks at love
Movie review: The plot is that of a soap opera, but the structure, style and psychological honesty put it on the short list of tennis-movie GOATs.
‘The Holdovers’ (2023) merely a placeholder for Payne
Throwback Thursday (Movie review): The director has delivered many 21st century masterpieces, but this Christmas film falls short of that status.