‘Twisters’ a thrilling legacy sequel with new twists
Movie review: This follow-up to one of the highlights of the 1990s disaster-flick boom effectively sweeps us back to that heady time.
Movies
‘Twisters’ a thrilling legacy sequel with new twists
‘Creature with the Atom Brain’ (1955) a surprisingly brainy film
Frightening Friday (Movie review): This snappy camp classic delivers more than it promises – at least insofar as the quantity of creatures sporting atom brains.
‘Enemy of the State’ (1998) continues ‘The Conversation’
Throwback Thursday (Movie review): This standout from the golden age of Will Smith is both a stark peek into the spy state and a thriller.
‘Waltzes from Vienna’ (1934) a light but important Hitchcock film
On a Hitchcock kick (Movie review): Though hurt by a lack of a vibrant print, this music-driven film has historical and even some romantic value.
Last three ‘Thin Man’ movies (1941-47) are the thinnest entries, but worth a look
Sleuthing Sunday (Movie reviews): The saga’s core charms – Nick, Nora and Asta – remain in “Shadow of the Thin Man,” “The Thin Man Goes Home” and “Song of the Thin Man.”
‘The Fury’ (1978) is weirder than ‘Carrie,’ but also worse
Frightening Friday (Movie review): You’d think a re-team of De Palma and extra-sensory abilities would be a winner. You’d be wrong.
‘The Conversation’ (1974) explores psychological price of spying
Throwback Thursday (Movie review): Coppola’s film from the golden age of neo-noir spy films should’ve started a national conversation. At least it remains a great film.
Country life is an unfunny slog in ‘The Farmer’s Wife’ (1928)
On a Hitchcock kick (Movie review): This comedy is bad in several ways, but the most basic is that it’s twice as long as what the breezy story calls for.
‘Caddo Lake’ an engrossing metaphysical mystery
Movie review: Shyamalan might not be helming strong films anymore, but he’s still producing them, including this evocative missing-girl puzzle in the swamps.
‘My Old Ass’ is low-key one of the year’s best movies
Movie review: Actress Maisy Stella bursts onto the scene in this delicately beautiful piece of filmic poetry that mulls the passing of time.