‘The Holdovers’ (2023) merely a placeholder for Payne
Throwback Thursday (Movie review): The director has delivered many 21st century masterpieces, but this Christmas film falls short of that status.
Movies
‘The Holdovers’ (2023) merely a placeholder for Payne
‘I Saw the TV Glow’ a mesmeric metaphysical journey
Movie review: Though a lack of a clear plot makes it sometimes slip from a viewer’s grasp, Schoenbrun’s film is loaded with feelings and ideas.
‘It’s a Wonderful Knife’ (2023) lacks any spirit at all
Frightening Friday (Movie review): Add this Christmas horror movie to your annual list … of films to completely skip.
‘Night of the Hunter’ (1955) is influential … but is it good?
Throwback Thursday (Movie review): Ingenious or merely experimental, it can’t be denied that Charles Laughton’s only directorial work made its mark.
‘Under Capricorn’ (1949) rightly buried under Hitchcock’s suspensers
On a Hitchcock kick (Movie review): Being a costume drama, this slice of Australian history is rare among his catalog. Unfortunately, that doesn’t make it good.
‘Smile 2’ is worth a smirk as it illustrates celebrity stress
Movie review: Writer-director Parker Finn’s sequel is a middling entry among 2024’s horror films set in the world of pop stardom.
If you like Gogol-inspired Soviet folk-horror, you’ll love ‘Viy’ (1967)
Frightening Friday (Movie review): This Russian-language classic concerns a brave student and a very beautiful, very dead girl in what’s been called the first Soviet horror film.
‘Three Days of the Condor’ (1975) provides holiday-season conspiracy chill
Throwback Thursday (Movie review): Other than an infamously bad romance subplot, this is another top-shelf Seventies paranoia thriller.
‘Bad Boys: Ride or Die’ a fine continuation, with some gator aid
Movie review: Not as funny as it could be, not as big as other action franchises, this fourth “Bad Boys” film still manages to be a brisk diversion.
Old Hollywood meets film noir in ‘Paradine Case’ (1947)
On a Hitchcock kick (Movie review): The director closes out his pre-color period with a moody courtroom drama that’s not as strong as it could’ve been as a mystery.