Allen sticks around London for a sugar-free ‘Scoop’ (2006)
Woody Wednesday (Movie review): The previous year’s “Match Point” was so good that Allen can be forgiven a few middling trifles. “Scoop” is one of them.
Movies
Allen sticks around London for a sugar-free ‘Scoop’ (2006)
Paquin’s ‘Darkness’ (2002) an artistic mood piece
Frightening Friday (Movie review): Fans of later gems such as “Hereditary” might want to peek into “Darkness,” a wrongly overlooked mood piece.
‘Sisterhood of the Traveling Pants 2’ (2008) a lush sequel
Throwback Thursday (Movie review): The storylines are thin, but it’s nice to see these four talented actresses together again for a summer of adventures.
‘Irrational Man’ (2015) held back by the ‘rational’ world
Woody Wednesday (Movie review): Stone’s second Allen film is again only a middling entry, although it offers insights about relative morality.
Wan’s ‘Malignant’ delivers weird – and creepy – science
Movie review: “A new vision of horror” is slightly overstating it, but “Malignant” uses its bizarre premise and wild action to stand out from the horror pack.
Fall movie preview 2021: Release dates, plus 7 films in the spotlight
Fall movie preview: The fall offerings return to normalcy with theatrical releases. Many will be immediately available for home viewing, too.
SMG sticks with supernatural in ‘Return’ (2006), ‘Possession’ (2009)
Frightening Friday (Movie reviews): After “The Grudge,” Sarah Michelle Gellar sticks with supernatural horror in these two films from her period between “Buffy” and “Ringer.”
‘I’m Reed Fish’ (2006) is tasty small fry from great cast
Throwback Thursday (Movie review): A strangely stellar cast brings to life the quirky small-town semi-autobiography of one-and-done screenwriter Reed Fish.
Allen’s game has delicious variety in ‘Match Point’ (2005)
Woody Wednesday (Movie review): Neither a rom-com nor a grim tragedy, “Match Point” is among Allen’s best films in the middle ground of “character drama.”
I can’t be-‘Grudge’ (2004) this J-horror remake’s success
Frightening Friday (Movie review): Takashi Shimizu remakes his own “Ju-On,” adding the lonely Americans-in-Tokyo aspect. But the creepy mood again dominates.