‘The Menu’ (2022) serves up weirdness, skimps on horror
Movie review: Director Mark Mylod’s film has the presentation of great psychological horror, but it’ll leave you hungry for plausibility and scares.
Movie review: Director Mark Mylod’s film has the presentation of great psychological horror, but it’ll leave you hungry for plausibility and scares.
Movie review: Action director David Leitch delivers good choreography in “Bullet Train,” but it’s ultimately too ridiculous to make an impact.
Movie review: The Rock is nicely understated as a rare Middle Eastern superhero, but the setting feels more like a computer than reality.
Movie review: Rian Johnson continues with what worked on “Knives Out” in this twisty romp of a mystery that gets a little overblown by the end.
Movie review: The latest non-traditional Christmas film stuffs in as many awful characters as possible. It’s as unappealing as you’d assume.
Movie reviews: Watching “A Christmas Story” and the new sequel back-to-back illustrates the greatness of the first and weaknesses of the latter.
TV review: Donald Glover’s brainchild is like the Black Experience meets “Black Mirror” in 20 masterful episodes that close out the series.
TV review: One of 2022’s best murder-mystery miniseries is also an honest study of how religion shapes people’s minds and lives.
TV review: Mike Judge’s now-iconic series expands its canvas to include multiple timelines as it makes fun of the lead duo and the world around them.
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.