‘Marvelous Mrs. Maisel’ Season 5 looks to the future
First episode impressions (TV review): The flash-forwards provide talking points, but Tony Shalhoub and the gorgeous sets are what make “Maisel” marvelous.
New Releases
‘Marvelous Mrs. Maisel’ Season 5 looks to the future
Shyamalan’s ‘Knock at the Cabin’ not worth answering
Movie review: An unpleasant message and flat narrative make this adaptation a misfire, despite a strong Dave Bautista turn.
‘Slasher’ Season 5 ‘Ripper’ overly ambitious, but still brutal
First episode impressions (TV review): The kills are gore-ific and the mystery is respectable, but “Slasher” isn’t quite convincing as a period piece.
Seventies-style howcatchem ‘Poker Face’ would make Columbo proud
TV review: Natasha Lyonne has the mannerisms of Columbo, but other aspects of Rian Johnson’s show establish a fresh identity.
‘Buffy: Big Bad’ (2022) a fun alternate-dimension romp
Book review: Lily Anderson makes a respectable Buffyverse debut by breezily presenting a neighboring dimension from Evil’s point of view.
‘Bloody Fool for Love’ (2022) goes back to ‘Buffy’s’ good ole days
Book review: William Ritter doesn’t do anything new with Spike. But he does prove you can never go wrong with this great character.
Blake’s ‘Buffy’ books continue with ‘One Girl in All the World’
Book review: Part two of the “Frankie the Vampire Slayer” series has appeal for both its familiar facets and for the new Scoobies.
Preston & Child go back in time for ‘Cabinet of Dr. Leng’
Book review: The plot thickens as Constance and Pendergast hop through dimensions, and the authors make it seem plausible.
King stirs brew of tropes, imagination in ‘Fairy Tale’ (2022)
Book review: King’s own imaginings blend with those of great fantasy storytellers for a diverting but not groundbreaking epic.
‘The Menu’ (2022) serves up weirdness, skimps on horror
Movie review: Director Mark Mylod’s film has the presentation of great psychological horror, but it’ll leave you hungry for plausibility and scares.