4th ‘Candyman’s’ horror vibe lost in worthwhile message
Movie review: Even by the standards of genre sequels, the “Candyman” sequels struggle to expand on the original’s statement. “C4” tries, at least.
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4th ‘Candyman’s’ horror vibe lost in worthwhile message
‘Halloween Kills’ riffs on ‘later that night’ scares
Movie review: The second chapter of the “H40” trilogy has good continuity and a fresh angle, but it doesn’t do much to develop characters.
‘I Know What You Did Last Summer’ has bizarre, sharp edge
First episode impressions (TV review): This miniseries shows that what teens are doing now is decidedly different from what they did in 1973 or 1997.
CBS’ ‘Ghosts’ is a pale shadow of anything original, funny
First episode impressions (TV review): “Ghosts” encapsulates everything that’s uninspired about the modern sitcom genre, especially on network TV.
In tense ‘A Quiet Place Part II,’ story is secondary
Movie review: This is yet another apocalyptic film, but it’s gripping as Millicent Simmonds grows into a rare hearing-impaired movie star.
‘There’s Someone Inside Your House’ mixes old and new
Movie review: This Netflix slasher is a fun but ultimately tame Gen-Z statement on social issues and the direction of the genre.
Flanagan master of emotional horror in ‘Midnight Mass’
TV review: His two “Hauntings” were adaptations, so Mike Flanagan’s third Netflix series is a revelation for its beautiful original writing.
‘Bloodless’ an amusing dive into Savannah, weird science
Book review: Preston & Child’s 20th Pendergast novel is a wild page-turner, but it crams in too many ideas to be as memorable as their earlier gems.
NBC’s new Event Series, ‘La Brea,’ is stuck in the pits
First episode impressions (TV review): “La Brea” name-drops “Lost” and blatantly riffs on it. Suffice it to say, it’s no “Lost.”
Murder mystery almost an afterthought on ‘American Rust’
First episode impressions (TV review): The genre of a dead body in a dying town is well-worn. But “American Rust” is at least appealingly well-worn.