‘His House’ shows horror of refugee immigrant experience
Movie review: Weekes’ calling-card film uses horror tropes to slyly tell a surprising, insightful story about the refugee experience.
Movie review: Weekes’ calling-card film uses horror tropes to slyly tell a surprising, insightful story about the refugee experience.
Movie review: Aaron Sorkin’s chronicle of seven defendants selected as scapegoats for Vietnam War-era riots is nicely layered and toned.
Movie review: “Emma” nails the early 19th century English countryside, costumes, manors and manners. But the interludes are jarring.
Book review: Preston & Child deliver a strange but satisfying second book in their series set in Florida, where Child resides.
TV review: Anya Taylor-Joy is outstanding in this miniseries that takes us to the 1950s and 1960s in all their pastel and analog glory.
Movie review: Candid-camera moments, improv acting, editing trickery and scripted writing combine for lots of LOL humor.
Movie review: “The Turning” is the lesser of 2020’s Henry James adaptations, as it makes “The Turn of the Screw” too confusing.
TV review: It’s not as scary or as good as “Haunting of Hill House,” but this follow-up features a lot of beautiful storytelling.
First episode impressions (TV reviews): Here are my early takes on “Emily in Paris,” the horror series “Monsterland” and the MCU’s “Helstrom.”
TV review: “Camp Cretaceous” Season 1 successfully walks the tightrope, giving something to both kids and adult “Jurassic Park” geeks.